{"id":315,"date":"2014-03-03T19:14:12","date_gmt":"2014-03-03T19:14:12","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/collections\/2014\/03\/03\/benjamen-chinn-paris-1950-1951\/"},"modified":"2026-07-20T06:13:15","modified_gmt":"2026-07-20T06:13:15","slug":"benjamen-chinn-paris-1950-1951","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/collections\/2014\/03\/03\/benjamen-chinn-paris-1950-1951\/","title":{"rendered":"Benjamen Chinn: Paris 1950"},"content":{"rendered":"

  <\/p>\n

BENJAMEN CHINN: PARIS 1950-1951<\/b><\/span>
\n
\n<\/b><\/span>On view in the Doy and Dee Henley Galleria, Argyros Forum<\/b><\/span>
\nFebruary 2 – May 30, 2014<\/b><\/span>
\n
\n<\/b><\/span>\"\"<\/a><\/p>\n


\nBenjamen Chinn was a native California photographer, born in 1921 in San Francisco’s Chinatown, who became known as a key member of the “Golden Decade” group at the California School of Fine Arts in San Francisco (now the San Francisco Art Institute). During World War II, Chinn served in the Pacific as an aerial and public relations photographer for the U.S. Army Air Corps. After the War, he returned to San Francisco and enrolled in a new fine-art photography program at CSFA. The program, inaugurated in 1945 by Ansel Adams and Minor White, was the first in the country dedicated to fine art photography. The first years of the program, known as the “Golden Decade,”cultivated a close-knit group of photographers who were not only technically adept, but also keenly tuned to their own visual voice and the artistic potential of their medium.Chinn, in particular, excelled in capturing intimate details of everyday life in the post-war era. <\/p>\n


\n<\/span><\/div>\n


\n
\n

\"man<\/a>
<\/p>\n

Vittel Horse Wagon<\/em>
\n
\n Benjamen Chinn Photographic Archive<\/figcaption><\/figure>
\n <\/p>\n

\n <\/p>\n

As a student, he gained recognition chronicling the unique and changing world just
\noutside his doorstep in San Francisco. Throughout the rest of his career, Chinn traveled
\nfrequently; his photography is marked by an innate sensibility for form and composition,
\nas well his curious and unassuming nature behind the camera. This series of photos was
\ntaken during his trip to Paris from 1950-1951.<\/p>\n

<\/p>\n

In 1950, Benjamen Chinn, equipped with two large-format cameras—one four-by-
\nfive Linhof view camera and a Rolleiflex— traveled to Paris to photograph Parisian
\nstreet life. During this time, the 29-year-old Chinn continued his art training: he studied
\nsculpture with Alberto Giacometti at the Académie Julian, took painting classes at
\nFernand Léger’s school, and studied geography and philosophy at the Paris-Sorbonne
\nUniversity.<\/p>\n


\n
\n
\n

\"woman<\/a>
<\/p>\n

Rue des Abbesses – Sidewalk Market<\/em>
\n
\n Benjamen Chinn Photographic Archive<\/figcaption><\/figure> <\/p>\n

In Paris, Chinn photographed families, musicians, children, students, shopkeepers,
\nworkers, street-performers– every aspect of daily Parisian life. Without the use of a
\ndarkroom, he developed the photographic negatives, but he never printed or saw any
\nof the images until after he returned to San Francisco. Benjamen Chinn: Paris, 1950–
\n1951 is an enduring photographic record of a vibrant city emerging after World War II.
\nThis exhibition offers insight into a robust yet cagey Paris of the past, and reveals the
\nartist’s profound sensitivity and technical skill.<\/p>\n


\n
\n
\n

\"men<\/a>
<\/p>\n

Cobblestone Layers<\/em>
\n
\n Benjamen Chinn Photographic Archive<\/figcaption><\/figure>
\n
\n 
\n
\n

\"black<\/a>
<\/p>\n

Rue de Lévis – Family<\/em><\/p>\n

\n Benjamen Chinn Photographic Archive<\/figcaption><\/figure>
\n
\n  <\/p>\n

All text and images under copyright. Please contact collections@chapman.edu<\/a>for permission to use. Information subject to change upon further research.<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"

1951<\/p>\n","protected":false},"author":562,"featured_media":666,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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