{"id":3934,"date":"2022-05-11T15:14:27","date_gmt":"2022-05-11T22:14:27","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/collections\/2022\/05\/11\/naturality-over-normality-zackary-drucker-and-taking-control-of-transgender-representation\/"},"modified":"2026-07-20T06:13:23","modified_gmt":"2026-07-20T06:13:23","slug":"naturality-over-normality-zackary-drucker-and-taking-control-of-transgender-representation","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/collections\/2022\/05\/11\/naturality-over-normality-zackary-drucker-and-taking-control-of-transgender-representation\/","title":{"rendered":"Naturality over Normality: Zackary Drucker and Taking Control of Transgender Representation"},"content":{"rendered":"

Zackary Drucker, in collaboration with Rhys Ernst, created a series of photographs titled Relationship<\/em> that lasted from 2008 until 2014 that focused on not only their evolving stages in their respective transitions, but also their attachment to one another. Gaze, energy, and intimacy are all important themes in this series.<\/p>\n

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Zackary Drucker and Rhys Ernst, Relationship #44, Flawless Through the Mirror<\/em>, Chromogenic print, 2013.<\/figcaption><\/figure>\n

The representation of transgender bodies in photography has seldom been orchestrated by the owners of those bodies themselves, and it is most commonly seen in didactic settings. The Relationship <\/em>series shies away from this setting completely. By photographing themselves in various settings, among which was their shared apartment, Drucker and Ernst have shared a number of day-to-day transgender experiences that range from embracing each other, to laying down in bed, to administering HRT. None of these photographs are serving as an example or guide to trans life. Relationship #44<\/em>, for example, draws the viewer\u2019s attention to the state of their bodies without attempting to explain their physical transitions.<\/p>\n

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Zackary Drucker and Rhys Ernst, Relationship #8, We both lived in apt 206<\/em>, Chromogenic print, 2010.<\/figcaption><\/figure>\n

In addition to this, Drucker and Ernst are not performing nor adhering to any type of normality, or conformity to the \u2018normal\u2019 behavior in a group as determined by social biases, in these photographs. Instead, there is a sense of naturality, or a reveal of the truth of one\u2019s innate identity without any artificiality. Normality must take society\u2019s cultural acceptances into account, and does not fully demonstrate the truth of identity, despite how desirable it can be.\u00a0 On the other hand, normality puts the body, and the identity tied to it, at the center of power. The Relationship <\/em>series was created in the years that transgender stories were slowly being added to the mainstream alongside other queer and feminist journeys, thus showcasing a difference between the \u2018normal\u2019 mainstream and the \u2018natural\u2019 reality. Taking control of power and its relationship with the body are intrinsic to trans representation by trans artists, especially in an age in which the media easily twists and warps their stories.<\/p>\n

\u201cWe are living in a globalized world, where all of the atrocities and freedoms of other nations are in our visual realm, right in front of us, on our screens, in our hands. It’s imperative that we set a precedent of liberation, of women having autonomous identities, selves, sexualities, agency over our representation, and not having our bodies regulated by men. You know, trans people are still not fully protected as citizens. We are part of a long fight, a long struggle.\u201d<\/p>\n

-Zackary Drucker<\/p><\/blockquote>\n

Sources:<\/p>\n