{"id":4027,"date":"2022-09-27T15:38:33","date_gmt":"2022-09-27T22:38:33","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/collections\/2022\/09\/27\/gerald-clarke-and-creative-sovereignty\/"},"modified":"2026-07-20T06:13:23","modified_gmt":"2026-07-20T06:13:23","slug":"gerald-clarke-and-creative-sovereignty","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/collections\/2022\/09\/27\/gerald-clarke-and-creative-sovereignty\/","title":{"rendered":"Gerald Clarke and Creative Sovereignty"},"content":{"rendered":"

Last week,<\/span> Gerald Clarke, multimedia artist, enrolled member of the Cahuilla Band of Indians, and Professor of Ethnic Studies at UC Riverside, came to campus as part of Wilkinson College’s Engaging the World: Leading the Conversation on Ethnic Studies initiative<\/a>. <\/span><\/p>\n

\"\"<\/a>Combining various media in his sculptures, paintings, works on paper, videos, performances, and installations, Clarke is inspired by his cultural heritage, expressing traditional ideas in contemporary forms. Clarke works against stereotypes of Native American art and culture, repurposing found objects and creating clever juxtapositions to make profound political statements. Utilizing humor to expose historical and present-day prejudice and injustice, Clarke brings a decolonial perspective to urgent cultural and political issues facing our world.<\/span><\/p>\n

Clarke foregrounded his lecture with an introduction to his home on the Cahuilla Indian Reservation, where he manages his family\u2019s cattle ranch. For Clarke, working the ranch is essential to his life and artistic practice, as it helps him maintain a close connection to the land and his ancestors. This relationship to the land is fundamental to the idea of sovereign history, of seeing the history of native communities as generations of lived experiences rather than a static moment in the past.\u00a0<\/span><\/p>\n

“When you talk about history, it’s not a chapter in a textbook, it’s not a PBS documentary or a class to take – my history is all around me, and that’s what connects me for thousands and thousands of years to these lands.”<\/p><\/blockquote>\n

\"\"<\/a>
Gerald Clarke, Branded: Native<\/em>.
Source: https:\/\/www.palmspringslife.com\/gerald-clarke-artist\/<\/figcaption><\/figure>\n

Clarke also sees his life on the cattle ranch as an expression of sovereign identity, describing how the romantic stereotypes of Native American cultures seen in pop culture never fit his reality growing up among “Indian cowboys.” Instead, he chooses “to live how I think I should be living – that’s the most valid thing you can do.” Much of Clarke’s artwork is an expression of this statement – of representing his life and thoughts without succumbing to stereotypes or expectations.<\/span><\/p>\n

Life on the cattle ranch inspired one of Clarke’s most well-known series of “branded prints” created using a custom-made branding iron. In addition to branding paper, he started branding the covers of books written about Native American history. For him, this act serves as a way to reclaim the knowledge about their traditions that non-Native scholars took. He also brands books written about the Native American art market, specifically authors who perpetuated ideas of indigenous art as \u201ctrinket\u201d or craft.\u00a0<\/span><\/p>\n

Much of the artist\u2019s work also offers a decolonial perspective on the larger cultural and political issues in the United States. One such work <\/span>United States of Amnesia II, which <\/span><\/i>was recently acquired by Wilkinson College\u2019s\u00a0 Escalette Permanent Art Collection. Clarke created this print in response to the rise of anti-immigration sentiment in American political rhetoric. The map is made of layers of thousands of rubber stamps reflecting immigration settlement patterns in the United States. In reference to this work, Clarke says \u201cThe current immigration debate puzzles me. Unless you\u2019re Native, you come from immigrants.\u201d<\/span><\/p>\n

\"\"<\/a>
Gerald Clarke, United States of Amnesia II<\/em>, ink on paper, 2017. Purchased with funds from the Ellingson Family.<\/figcaption><\/figure>\n

The Escalette Permanent Art Collection\u00a0 also acquired a photograph from Clarke\u2019s<\/span> One Tract Mind Series<\/span><\/i>, a project created during the housing crisis of 2008. The series depicts housing developments above symbols of traditional Native culture. This juxtaposition brings awareness to the loss of Native history and land required to build these building tracts. It also points to the fact that the loss of home experienced by so many during that times is something that Native communities have experienced for hundreds of years.<\/span><\/p>\n

\"\"<\/a>
Gerald Clarke, One Tract Mind: Baskets<\/em>, digital photograph printed on canvas, 2009. Purchased with funds from the Ellingson Family.<\/figcaption><\/figure>\n

When representing traditional aspects of Native culture, Clarke talked about his feeling of responsibility to his community. For him, creating artwork is not just a form of self-expression; it\u2019s a way that he can support his community by sharing their history and celebrating the continuation of their culture in a respectful way. <\/span><\/p>\n

\u201cWe have to acknowledge the real history, but we also need to acknowledge the fact that through perseverance and adaptation, with struggle and strength we\u2019re still here.\u201d<\/p><\/blockquote>\n

Watch Gerald Clarke\u2019s lecture <\/b>here<\/b><\/a>. <\/b><\/p>\n

\n

We invite you to explore all the works in the Escalette Collection by visiting our\u00a0eMuseum.<\/a><\/em><\/p>\n

Wilkinson College of Arts, Humanities, and Social Sciences is the proud home of the Phyllis and Ross Escalette Permanent Collection of Art. The Escalette Collection exists to inspire critical thinking, foster interdisciplinary discovery, and strengthen bonds with the community. Beyond its role in curating art in public spaces, the Escalette is a learning laboratory that offers diverse opportunities for student and engagement and research, and involvement with the wider community. The collection is free and open to the public to view.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Last week, Gerald Clarke, multimedia artist, enrolled member of the Cahuilla Band of Indians, and Professor of Ethnic Studies at 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