{"id":4519,"date":"2008-01-01T22:38:07","date_gmt":"2008-01-01T22:38:07","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/collections\/2008\/01\/01\/richard-serra\/"},"modified":"2008-01-01T22:38:07","modified_gmt":"2008-01-01T22:38:07","slug":"richard-serra","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/collections\/2008\/01\/01\/richard-serra\/","title":{"rendered":"Richard Serra"},"content":{"rendered":"<div class=\"article-header\" style=\"color: #000000\"><\/div>\n<div class=\"article-content entry-content\">\n<div dir=\"ltr\">\n<div><\/div>\n<div>\n<figure style=\"width: 400px\" class=\"wp-caption aligncenter\"><a style=\"color: #009eb8\" href=\"http:\/\/1.bp.blogspot.com\/_qFU7hNJfy-4\/SkpNLTKPkQI\/AAAAAAAAAB4\/Ieiv6lq4tLw\/s1600-h\/serra.jpg\"><img loading=\"lazy\" decoding=\"async\" id=\"BLOGGER_PHOTO_ID_5353175963600392450\" src=\"http:\/\/1.bp.blogspot.com\/_qFU7hNJfy-4\/SkpNLTKPkQI\/AAAAAAAAAB4\/Ieiv6lq4tLw\/s400\/serra.jpg\" alt=\"\" width=\"400\" height=\"224\" border=\"0\" \/><\/a><figcaption class=\"wp-caption-text\"><em>Paths and Edges #4<\/em>, 2007<br \/> 1 color etching, edition of 60<br \/> 21 1\/2&#8243; x 38 1\/2&#8243;<br \/> Published: Gemini G.E.L<br \/> Purchased: Acquisition funds, 2008<\/figcaption><\/figure>\n<\/div>\n<address style=\"text-align: center\">\u00a0<\/address>\n<address style=\"text-align: center\">\u00a0<\/address>\n<div>\n<div><\/div>\n<p style=\"text-align: justify\">San Francisco-born artist Richard Serra worked in local steel mills during his college years for extra money. This experience along with his Minimalist tendencies have lead him to be famously known for his monumental sculptures that push and question the boundaries of industrial mediums. From rubber belts with neon tubes to splashing molten lead, Serra&#8217;s work epitomizes the growing presence of alternative medium, paired with the dialogue between viewer and object that flourished in 1960 America.<br \/>\nIn the 1970s, Serra began to use rolled steel and was commissioned for public art works around the world. Large-scale sculptures such as Serra\u2019s <em>Torqued Ellipse<\/em> exude a looming physicality and impact and have been installed at locations such as the University of California, Los Angeles and the Broad Contemporary Art Museum. Serra currently shows at Gagosian galleries, one of the world\u2019s top gallery forces, and has exhibited at MoMA, the Louvre and the Guggenheim.<br \/>\nIn recent years, Richard Serra has kept his industrial and minimal tendencies and has begun creating drawings and mixed media images.<\/p>\n<p style=\"text-align: justify\">In 2008, Chapman University added one of Serra\u2019s etchings on paper, <em>Paths and Edges #4<\/em>, to its collection. Part of a series, this piece displays both the past and future of the artist\u2019s development and continues Serra\u2019s prolific study of geometric form. American born and internationally renowned, Richard Serra\u2019s work holds artistic importance that spans decades, locations and mediums.<\/p>\n<div><\/div>\n<div>\n<figure style=\"width: 478px\" class=\"wp-caption aligncenter\"><a style=\"color: #009eb8\" href=\"http:\/\/4.bp.blogspot.com\/-6GK2TkVnyg0\/UIW4_4YG6QI\/AAAAAAAAC1c\/fw6rlMd2Mpk\/s1600\/SerraFinal.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/4.bp.blogspot.com\/-6GK2TkVnyg0\/UIW4_4YG6QI\/AAAAAAAAC1c\/fw6rlMd2Mpk\/s640\/SerraFinal.jpg\" alt=\"\" width=\"478\" height=\"640\" border=\"0\" \/><\/a><figcaption class=\"wp-caption-text\"><em>Spike<\/em>, 1991<br \/> Paintstik\u00ae on coated paper<br \/> 138 x 95 1\/2 in.\u00a9 2011 Richard Serra \/ Artists Rights Society (ARS), New York; \u00a9 Gemini G.E.L. and the Artist<br \/> Gifted: Barbara &amp; Raymond Alvarado<br \/> Thank you to Justin and Josh Landis for helping to direct the gift.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div>\n<div>\n<address class=\"separator\" style=\"text-align: center\">\u00a0<\/address>\n<div class=\"separator\"><\/div>\n<div class=\"separator\"><\/div>\n<\/div>\n<div>\n<p><span class=\"Apple-style-span\">More information on Richard Serra:<\/span><\/p>\n<div id=\"threecol_mid\">\n<ol>\n<li><a style=\"color: #009eb8\" href=\"http:\/\/www.charlierose.com\/view\/interview\/11634\" target=\"_blank\">Richard Serra interview with Charlie Rose\u00a0<\/a><\/li>\n<li><a style=\"color: #009eb8\" href=\"http:\/\/www.pbs.org\/art21\/watch-now\/segment-richard-serra-in-place\" target=\"_blank\">Richard Serra on Art 21\u00a0<\/a><\/li>\n<li>I<a style=\"color: #009eb8\" href=\"http:\/\/www.geminigel.com\/v2\/prints_current.php?artistid=46\" target=\"_blank\">mages from Gemini G.E.L.<\/a><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<h6><em>All text and images under copyright. Please contact <a href=\"\/collections\/collections@chapman.edu\">collections@chapman.edu<\/a> for permission to\u00a0<\/em><em>use. Information subject to change upon further research.<\/em><\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 San Francisco-born artist Richard Serra worked in local steel mills during his college years for extra money. This [&hellip;]<\/p>\n","protected":false},"author":562,"featured_media":16,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"custom_author_name":"Karlie Harstad","chapman_pin_hero_slider":"","footnotes":""},"categories":[4],"tags":[21,23],"class_list":["post-4519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-escalette-permanent-collection-of-art","tag-drawing","tag-paintstik"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Escalette Permanent Collection of Art at Chapman University | Chapman Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.chapman.edu\/collections\/2008\/01\/01\/richard-serra\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Richard Serra - Escalette Permanent Collection of Art at Chapman University\" \/>\n<meta property=\"og:description\" content=\"\u00a0 \u00a0 San Francisco-born artist Richard Serra worked in local steel mills during his college years for extra money. 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