{"id":751,"date":"2014-10-03T20:31:34","date_gmt":"2014-10-03T20:31:34","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/collections\/2014\/10\/03\/orange-is-the-new-white\/"},"modified":"2026-07-20T06:13:15","modified_gmt":"2026-07-20T06:13:15","slug":"orange-is-the-new-white","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/collections\/2014\/10\/03\/orange-is-the-new-white\/","title":{"rendered":"Orange is the New White"},"content":{"rendered":"
\"Drop
Wayne White
Drop the Country Boy Act, 2008
Print, 39.5 x 30″
Purchased with acquisition funds, 2009<\/figcaption><\/figure>\n

Wayne White is a pioneer for humor in the art world. He\u2019s famous as a puppeteer, set designer, cartoonist, painter, and more. His \u201cword paintings,\u201d of which we have three on campus, are humorous and witty. White often uses generic landscapes he finds at thrift shops<\/a> as canvases, painting phrases such as \u201cYou\u2019re just agreeing with me so I\u2019ll shut up,\u201d \u201cThe most expensive painting in the world,\u201d and my personal favorite, \u201cHoney wheres my learnin books.\u201d What makes White\u2019s paintings even more unique is his ability to seamlessly insert the letters into the landscape background, mirroring the colors, brush strokes, and perspective.<\/p>\n

Needless to say, the main focal point of these paintings is the letters. In his 2013 TEDx Talk<\/a>, White discussed his\u00a0inspiration:<\/p>\n

\u201cMy earliest memories are giant letters in the supermarket\u2014I was always intrigued by letters, even before I could read. They had such a strange power. I saw each letter as a different personality, as a magic totem.”<\/em><\/p><\/blockquote>\n

If we compare his word paintings to the graphics on products from the 1950s and 60s, when he was growing up, there are striking similarities. The text is bold, dynamic, and dominates the image.<\/p>\n

\"Lemon
Citrus Crate Label, 1930s-1960s<\/figcaption><\/figure>\n

Interestingly enough, while walking through the Escalette Collection\u00a0in Beckman Hall the other day, I noticed this type of text again, in the produce crate labels from old California. The letters are just as charismatic and powerful as those in White\u2019s work. In both his paintings and in the labels there is some\u00a0degree of three-dimensionality, and in both, the letters make the piece. From a purely aesthetic perspective, it\u2019s not so much what they say,\u00a0but how they say it. In other words, these specific words don\u2019t matter as much as their shapes.<\/p>\n

 <\/p>\n

It\u2019s interesting to see the influence of bold lettering on White\u2019s work, and perhaps even more interesting to see a relation between the lettering that White himself cited as inspiration and the lettering on these early California crate labels.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

All text and images under copyright. Please contact collections@chapman.edu<\/a> for permission to use. Information subject to change upon further research.<\/h6>\n","protected":false},"excerpt":{"rendered":"

Wayne White is a pioneer for humor in the art world. 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