{"id":2402,"date":"2016-10-18T15:20:10","date_gmt":"2016-10-18T22:20:10","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/copa\/2016\/10\/18\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\/"},"modified":"2026-07-23T22:47:27","modified_gmt":"2026-07-23T22:47:27","slug":"opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/copa\/2016\/10\/18\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\/","title":{"rendered":"Opera Chapman presents &quot;Kurt Weill after Dark \u2013 A Cabaret-style Review&quot;"},"content":{"rendered":"<p>This weekend October 21-23, Opera Chapman will perform selections from \u00a0two of Kurt Weill\u2019s masterworks at Musco Center for the Arts. The show consists of a compilation of arias and duets from <em>Rise and Fall of the City of Mahagonny <\/em>(Aufstieg und Fall der Stadt Mahagonny<em>)\u00a0<\/em>and <em>Street Scene, <\/em>two of Weill\u2019s masterpieces, performed in the most intimate of circumstances. The staging of the show is breathtaking. The audience sits on the Musco stage as the singers and musicians stand against closed curtains. Intimacy is the protagonist of the show. Within the first few numbers, the curtains are open, and the sublime view of the performance hall becomes the landscape to our singers.<\/p>\n<p>Weill recognized his own work, particularly <em>Street Scenes, <\/em>as \u201cAmerican Opera\u201d, which refers to a hybrid of the European Opera and the American Musical Theatre. Influenced by his collaborator Bertolt Brecht, Weill exposes a world of social and political satire, constantly demanding the audience to sympathize with his characters and understand the socio-cultural constructs that dictate their narrative.\u00a0 As a Jewish-German man living in the first half of the 20<sup>th<\/sup> century, Weill\u2019s work remains groundbreaking and revolutionary.<\/p>\n<p>\u201cThe great thing about Weill is the familiarity of his work. You think you recognize his melodies and feel comfortable, but suddenly he hits you with radical emotion and notions,\u201d explains Ms. Madilyn Crossland, an opera student and publicist for Opera Chapman. \u00a0\u201cHe shocks you, in a way.\u201d Beyond the beauty of the seduction of the composer, the numbers are in English, which further eases an audience into the operatic embrace.\u00a0 \u201cIt\u2019s a great way to attract audiences that are not accustomed to Opera,\u201d Ms. Crossland continues. \u201cThere is no need to worry about translation and the production is heavily influenced by musical theatre, so there is something for everyone\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p>Because of the nature of Weill\u2019s work, the show demands a new challenge for our students. Aside from the extraordinary talent of our students, the event also counts with the wondrous work of famed stage director Nicola Bowie as the choreographer and guest-director, acclaimed soprano and our artist-in-residence Carol Neblett as the associate director, and our own Dr. Peter L. Atherton as the artistic director, elevating the performance to an evening of pure music and vocals matched by raw emotion and impeccable choreography. Through the groundbreaking and courageous work of a master, \u201cKurt Weill: After Dark\u201d illustrates the uniqueness of opera and its relevance in today\u2019s society as a medium that has the capacity to shock you, move you, and drive you to revolutionary action.<\/p>\n<p>Opera Chapman presents:<br \/>\n<em>Kurt Weill After Dark: A Cabaret-style Review<\/em><br \/>\nOctober 21 &amp; 22 \u2014 7:30pm<br \/>\nOctober 23 \u2014 3:00pm<br \/>\nMusco Center for the Arts<br \/>\nLimited, onstage seating.<br \/>\nTickets $15 general admission; $10 senior citizens, alumni and non-Chapman students; visit <a href=\"http:\/\/chapman.universitytickets.com\/user_pages\/category.asp?id=38\">chapman.edu\/tickets<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This weekend October 21-23, Opera Chapman will perform selections from \u00a0two of Kurt Weill\u2019s masterworks at Musco Center for the [&hellip;]<\/p>\n","protected":false},"author":598,"featured_media":2403,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"custom_author_name":"Veronica Kompalic","chapman_pin_hero_slider":"","footnotes":""},"categories":[10,46,47],"tags":[],"class_list":["post-2402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-copa-news","category-music","category-performances-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>College of Performing Arts | Chapman Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.chapman.edu\/copa\/2016\/10\/18\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Opera Chapman presents &quot;Kurt Weill after Dark \u2013 A Cabaret-style Review&quot; - College of Performing Arts\" \/>\n<meta property=\"og:description\" content=\"This weekend October 21-23, Opera Chapman will perform selections from \u00a0two of Kurt Weill\u2019s masterworks at Musco Center for the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.chapman.edu\/copa\/2016\/10\/18\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\/\" \/>\n<meta property=\"og:site_name\" content=\"College of Performing Arts\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-18T22:20:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-23T22:47:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogs.chapman.edu\/copa\/wp-content\/uploads\/sites\/76\/2016\/10\/Kurt-Weill-Eblast-e1476829102183.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"839\" \/>\n\t<meta property=\"og:image:height\" content=\"470\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean Taber\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean Taber\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/2016\\\/10\\\/18\\\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/2016\\\/10\\\/18\\\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\\\/\"},\"author\":{\"name\":\"Jean Taber\",\"@id\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/#\\\/schema\\\/person\\\/f0773e505506adb0ac76331e0f0ddb6c\"},\"headline\":\"Opera Chapman presents &quot;Kurt Weill after Dark \u2013 A Cabaret-style Review&quot;\",\"datePublished\":\"2016-10-18T22:20:10+00:00\",\"dateModified\":\"2026-07-23T22:47:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/2016\\\/10\\\/18\\\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\\\/\"},\"wordCount\":480,\"publisher\":{\"@id\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/2016\\\/10\\\/18\\\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/wp-content\\\/uploads\\\/sites\\\/76\\\/2016\\\/10\\\/Kurt-Weill-Eblast-e1476829102183.jpg\",\"articleSection\":[\"CoPA News\",\"Music\",\"Performances\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/2016\\\/10\\\/18\\\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\\\/\",\"url\":\"https:\\\/\\\/blogs.chapman.edu\\\/copa\\\/2016\\\/10\\\/18\\\/opera-chapman-presents-kurt-weill-after-dark-a-cabaret-style-review\\\/\",\"name\":\"Opera Chapman presents &quot;Kurt Weill after Dark \u2013 A Cabaret-style Review&quot; 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