{"id":2974,"date":"2019-05-06T17:01:17","date_gmt":"2019-05-07T00:01:17","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/copa\/2019\/05\/06\/sholund-scholarship-concert-presents-carmina-burana\/"},"modified":"2026-07-23T22:49:51","modified_gmt":"2026-07-23T22:49:51","slug":"sholund-scholarship-concert-presents-carmina-burana","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/copa\/2019\/05\/06\/sholund-scholarship-concert-presents-carmina-burana\/","title":{"rendered":"Sholund Scholarship Concert presents "Carmina Burana" Hall"},"content":{"rendered":"

On Saturday, May 11, the Hall-Musco Conservatory of Music’s 45th Annual Sholund Scholarship Concert* presents Carmina Burana<\/em> by Carl Orff, at 4 p.m. in Musco Center for the Arts. The concert features over 165 instrumental and choral artists from The Chapman Orchestra and Chapman Choirs, including three alumni guest-soloists.\u00a0Tickets are $20 general admission; $15 senior citizens, alumni, and non-Chapman students; $10 Chapman students, faculty, and staff. To order, CLICK HERE<\/a><\/strong>.<\/p>\n

Read more about the program:<\/strong><\/h3>\n

Regarding major choral-orchestral works performed in the United States, arguably only Handel\u2019s Messiah receives more performances than the venerable Carmina Burana<\/em> of Carl Orff (1895\u20131982). From its sensation-causing Frankfurt premiere in 1937, this \u201cscenic cantata\u201d for three soloists, mixed chorus, children\u2019s chorus, and large orchestra has never waned in popularity due to its almost elemental appeal to the masses. A masterful orchestrator, Orff\u2019s \u201cprimitive\u201d style used in this hour-long work features a great variety of instrumental and vocal colors as well as a visceral intensity of rhythm and drive, in no small part made possible by an expanded percussion battery that includes five timpani (sometimes played by two people), three glockenspiels, two pianos and celesta, and smaller instruments ranging from castanets to sleigh bells. The composer also pushes the envelope in the vocal realm as well: the workhorse baritone soloist is assigned numerous dramatic passages that call for almost prayer-like chants, pounding declamations, glissandi, florid singing, and falsetto usage; each of the three soloists is called upon to demonstrate freakishly high range; and the chorus is called upon to deliver an extraordinary amount of text and to explore their upper ranges as well (choral sopranos and tenors are given high C\u2019s at the end of the \u201cSpring\u201d section).<\/p>\n

\"WheelIn 1935, Carl Orff became aware of a large collection of ancient poetry of the \u201cGoliards\u201d that was discovered in 1803 in a monastery at Benediktbeuern, Germany and was later published as Songs of Beuern<\/em> or, in Latin, Carmina Burana<\/em>. Goliards were wandering bands of poor but well-educated poet\/musicians, academics, defrocked priests, minstrels, and yes, university students, etc., whose secular writings (mostly in medieval Latin and Middle High German) ranged from fine love poetry to bawdy ditties and biting satires, from lauding the beauty of nature (and, of course, women) to crudely extolling the joys of drinking, gambling, and general carousing. Orff embraced this unusual body of literature for its simplicity and directness as well as its repetitive forms. From this collection of 254 poems from the 11th\u201313th centuries, Orff chose two dozen for his purposes.<\/p>\n

In several distinct sections, the work opens with a pair of pessimistic ruminations on Fate followed by eight movements that form a \u201cscene\u201d of Spring. Here, the work\u2019s former gloominess disappears in favor of paeans to nature\u2014the sun, breezes, and blooming flowers and forests. Following an orchestral dance, the next multi-movement scene, the rowdy \u201cIn the Tavern,\u201d features the tenors and basses (including soloists) in roles of angry cynics, jabbering drunkards, leaders and congregants of the \u201cchurch of gambling,\u201d and a dying roasted swan that has been cooked on a rotating spit and offered up to be eaten.<\/p>\n

Aspects of love from the point of view of both a woman and a man form the next major portion of the work, \u201cThe Court of Love.\u201d It consists of a captivating group of colorful movements\u2014both beautiful and boisterous\u2014that deals with rewarded love, love unrequited, and the anticipation and absence of love. Following is the resplendent hymn-like \u201cAve formosissima\u201d whose monumental climax leads to the crashing chords of the cantata\u2019s famous opening movement. Orff has framed his unique work with the churning, boiling strains of the inescapable, unpredictable wheel of Fate: \u201cFate is against me\u2026[I am] always enslaved\u2026everyone weep with me!\u201d<\/em><\/p>\n

\u2014Program notes by Stephen Coker, DMA<\/p>\n<\/blockquote>\n

 <\/p>\n

* One hundred percent of your ticket price for this event is donated directly to the Sholund Scholarship Fund, benefiting students in the Hall-Musco Conservatory of Music. To enhance your contribution to the Fund, please visit our SUPPORT PAGE<\/a><\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Musco Conservatory of Music\\’s season finale features Carl Orff\\’s choral masterpiece<\/p>\n","protected":false},"author":598,"featured_media":2980,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"custom_author_name":"Stephen Coker, DMA","chapman_pin_hero_slider":"","footnotes":""},"categories":[10,46,47],"tags":[366,367,368,369,222],"class_list":["post-2974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-copa-news","category-music","category-performances-music","tag-carl-orff","tag-carmina-burana","tag-chapman-choirs","tag-sholund","tag-the-chapman-orchestra"],"yoast_head":"\nCollege of Performing Arts | Chapman Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.chapman.edu\/copa\/2019\/05\/06\/sholund-scholarship-concert-presents-carmina-burana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sholund Scholarship Concert presents "Carmina Burana" Hall - 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