{"id":19898,"date":"2014-02-11T15:16:34","date_gmt":"2014-02-11T23:16:34","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/dodge\/2014\/02\/11\/special-event-director-mathieu-kassovitz-presents-la-haine-screening-master-class\/"},"modified":"2014-02-11T15:16:34","modified_gmt":"2014-02-11T23:16:34","slug":"special-event-director-mathieu-kassovitz-presents-la-haine-screening-master-class","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/dodge\/2014\/02\/11\/special-event-director-mathieu-kassovitz-presents-la-haine-screening-master-class\/","title":{"rendered":"[Updated] Special Event: Director Mathieu Kassovitz Presents &quot;La Haine&quot; Screening &#038; Master Class"},"content":{"rendered":"<p><strong>UPDATE 2\/13<\/strong><br \/>\n:&#xA0; Sadly, due to circumstances beyond his control, Mr. Kassovitz has been forced to cancel his appearance.&#xA0; We wish him well and look forward to rescheduling this event.&#xD;<br \/>\n&#xD;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-5303\" alt=\"La Haine poster image\" src=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/16\/2014\/02\/Mathieu-Kassovitz-254x480.jpg\" width=\"254\" height=\"480\" \/><br \/>\nDodge College is proud to welcome director Mathieu Kassovitz to the Folino stage this Thursday evening, in conjunction with the&#xA0;<br \/>\n<a href=\"http:\/\/www.chapman.edu\/wilkinson\/index.aspx\">Wilkinson College of Humanities and Social Sciences.<\/a><br \/>\n&#xA0; Professor Veronique Olivier of the French Department has graciously arranged for a series of special events to welcome the director\/writer\/actor, and we couldn&#8217;t be more excited!&#xD;<br \/>\n&#xD;<br \/>\nOur talented guest, who you may recognize from<br \/>\n<em>Amelie<\/em><br \/>\n,<br \/>\n<em>The Fifth Element<\/em><br \/>\n,<br \/>\n<em>Munich<\/em><br \/>\n, or one of his other starring roles, has spent just about as much time behind the camera as in front of it.&#xA0; He&#8217;s credited with being an actor, director, writer, editor, producer &#8212; even a camera operator.&#xA0; In the highlight of the evening, the masterclass, he&#8217;s going to share this unique blend of perspective and experience with the Chapman community!&#xA0; The master class begins at 5PM and is open to all Dodge College students.&#xD;<br \/>\n&#xD;<br \/>\nAfter the master class, we will screen his most critically acclaimed work,<br \/>\n<em>La Haine<\/em><\/p>\n<p><em>(Hate)<\/em><br \/>\n, on a retouched Criterion Collection bluray, from 7-10PM.&#xA0;<br \/>\n<em>La Haine<\/em><br \/>\n is a gritty, provocative portrait of life on the streets in mid-90&#8217;s France;&#xA0; it&#8217;s beautifully shot, with a careful compositional eye and a punchy stop-and-go rhythm, but it&#8217;s also incredibly unnerving, contrasting wanton violence with more delicate, emotionally-charged vignettes.&#xA0; (If you can stomach violence, I<br \/>\n<em>highly<\/em><br \/>\n recommend it &#8211; it&#8217;s been a personal favorite of mine, right up there with<br \/>\n<em>Kids<\/em><br \/>\n and<br \/>\n<em>Rumble Fish<\/em><br \/>\n as a gripping coming of age story).&#xD;<br \/>\n&#xD;<br \/>\nDean of Students Michael Kowalski calls it &#8221;<br \/>\n<em>Mean Streets<\/em><br \/>\n meets&#xA0;<br \/>\n<em>Boyz n the Hood,<\/em><br \/>\n&#8221; and shared this plot setting:&#xD;<\/p>\n<blockquote><p><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-5305\" alt=\"LA HAINE Film Poster\" src=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/16\/2014\/02\/la-haine_1-282x410.jpg\" width=\"169\" height=\"246\" \/>When he was just twenty-nine years old, Mathieu Kassovitz took the international film world by storm with <em>La Haine<\/em> (Hate), a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically in the low-income banlieue districts on Paris&#x2019;s outskirts. Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Sa&#xEF;d&#x2014;a Jew, an African, and an Arab&#x2014;give human faces to France&#x2019;s immigrant populations, their bristling resentments at their social marginalization slowly simmering until they reach a climactic boiling point. A work of tough beauty, <em>La Haine<\/em> is a landmark of contemporary French cinema and a gripping reflection of its country&#x2019;s ongoing identity crisis.&#xD;<br \/>\n&#xD;<br \/>\nHugely influenced by American directors like Martin Scorsese and Spike Lee (particularly <i>Do the Right Thing<\/i>), <i>La Haine<\/i> riffs through different styles and techniques, yet the movie feels organic and whole, driven by a genuinely passionate point of view. Dynamic, reckless, sometimes obvious and sometimes subtle (and sometimes both), this is a must-see.<\/p><\/blockquote>\n<p>&#xD;<br \/>\nCheck out the trailer:&#xD;<br \/>\n&#xD;<br \/>\nhttp:\/\/www.youtube.com\/watch?v=yk77VrkxL88&#xD;<br \/>\n&#xD;<br \/>\nFollowing the screening, Mr. Kassovitz will stay to take questions from the audience during a Q&amp;A, slated to begin approximately at 10PM.&#xD;<br \/>\n&#xD;<br \/>\nI hope you can all make it out Thursday night to welcome this accomplished international star, and to take in some already-classic, modern global cinema!&#xD;<br \/>\n&#xD;<br \/>\n&#xA0;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UPDATE 2\/13 :&#xA0; Sadly, due to circumstances beyond his control, Mr. Kassovitz has been forced to cancel his appearance.&#xA0; We [&hellip;]<\/p>\n","protected":false},"author":65,"featured_media":5306,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,23,13],"tags":[289,365,20,237],"class_list":["post-19898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-film-studies-programs","category-screenings","tag-actor","tag-director","tag-guest","tag-qa"],"_links":{"self":[{"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/posts\/19898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/users\/65"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/comments?post=19898"}],"version-history":[{"count":0,"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/posts\/19898\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/media\/5306"}],"wp:attachment":[{"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/media?parent=19898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/categories?post=19898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.chapman.edu\/dodge\/wp-json\/wp\/v2\/tags?post=19898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}