{"id":2369,"date":"2012-09-26T15:36:36","date_gmt":"2012-09-26T22:36:36","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/dodge\/2012\/09\/26\/tv-is-good-4u-prof-brown-interviews-jillian-arnold-about-filming-in-space\/"},"modified":"2012-09-26T15:36:36","modified_gmt":"2012-09-26T22:36:36","slug":"tv-is-good-4u-prof-brown-interviews-jillian-arnold-about-filming-in-space","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/dodge\/2012\/09\/26\/tv-is-good-4u-prof-brown-interviews-jillian-arnold-about-filming-in-space\/","title":{"rendered":"TV Is Good 4U: Prof. Brown Interviews Jillian Arnold About Filming in Space"},"content":{"rendered":"

Chapman Alumna Jillian Arnold, professor of Cinematography, describes the process of filming in space, which she recently had the opportunity to do as a cinematographer for NASA.<\/p>\n

<\/p>\n

When you become a cinematographer, you have lots of dreams.\u00a0 You might dream of being the DP on one of your favorite books, like Lord of the Rings or Harry Potter.\u00a0 Or maybe you dream of working with a legendary director, like Steven Spielberg.\u00a0\u00a0 But it might not occur to you to dream about shooting a spacecraft landing on Mars \u2013 which is exactly what Professor Jillian Arnold<\/a>, who studied at Chapman and now teaches cinematography, got to do this summer as part of her other job, working as a cinematographer for NASA and the Jet Propulsion Laboratory in Pasadena, California.<\/p>\n

 <\/p>\n

How did you come to work for NASA and JPL?<\/em><\/p>\n

\u00a0Almost a year after I completed my Masters at Chapman in Cinematography, I received a call from a recruiting company that saw my work for PBS.\u00a0 I shot several interviews the previous fall with astronauts Neil Armstrong and Barbara Morgan for an event that PBS KOCE was covering.\u00a0 JPL was looking to staff more camera operators for the 2008 Phoenix Mars Landing, which was my first mission.\u00a0 Looking back, I realize how young I was in shooting such a historical event as the Phoenix Mars Landing.\u00a0 I didn\u2019t realize that what I was shooting would be on every major network all over world!<\/p><\/blockquote>\n

\u00a0What other events have you covered?<\/em><\/p>\n

\u00a0I have covered two Mars landings (Phoenix, Curiosity), four launches at Cape Canaveral (Lunar Reconnaissance Orbiter to the Moon, Juno to Jupiter, Grail to the Moon, Curiosity to Mars), two comet flyby missions (NEXT Stardust, Epoxi Deep Impact), spacecraft testing (Orion Spacecraft for manned missions, Curiosity, Athlete), and the reveal of the Wide Field Planetary Camera, when it came back from Hubble.\u00a0 Most of these projects were shot in 4k High Resolution 3D, and some were live to broadcast.<\/p>\n

Also, I was honored to be a part of the Summer of Innovation Event to kick off President Obama\u2019s STEM (Science, Technology, Engineering, Math) outreach program, as well as to shoot interviews and b-roll footage for the documentary, \u201cThe Rocketeers,\u201d which aired on PBS.<\/p>\n

Those are are the glamorous jobs!\u00a0 I also shoot lectures, presentations, interviews, and document stories on lab for their archives.\u00a0 Regardless, it takes my breath away when I shoot spacecrafts that will see the Moon, Mars, and Jupiter.<\/p><\/blockquote>\n

Do you just shoot the landings or do you photograph preparation, testing and so forth?<\/em><\/p>\n

Each project has its own budget and documentation needs, so the time I spend with each mission varies.\u00a0 Some missions have less time consuming needs, like NEXT, or Epoxi where I shot live handheld in the Mission Support Area at JPL for the mission\u2019s broadcast and press briefings. Others like Juno or Grail required travel to Cape Canaveral to shoot the spacecraft roll out from the vehicle assembly building to the launch pad where it took off the following day.<\/p>\n

I shot Curiosity more than most projects, because it was assembled locally, in JPL\u2019s facility.\u00a0 My first big field project for JPL was actually Curiosity\u2019s parachute testing several years ago. There, a TV engineer and I developed the 4k stereo shooting system that we have in place now. We then went on to shoot Curiosity\u2019s drop test, the wheel installation, the first and second time they drove her, and several other tests. When I saw the picture of her wheel on Mars for the first time, I had tears in my eyes. It felt like I just shot her yesterday.<\/p><\/blockquote>\n

Describe how you felt seeing the Mars Rover Curiosity actually landing on the surface of Mars\u2026while you were photographing it.<\/em><\/p>\n

I was so excited for landing day.\u00a0 I knew in my gut, she was going to land.\u00a0 The Mission Support Area (MSA) had a calmness to it that I wasn\u2019t expecting. Several of the gentlemen on the EDL landing team were playing Sinatra for a few minutes. I knew it would be the most difficult shoot of my life, because you want to celebrate with those around you, but you also have a job to do.<\/p>\n

As the time ticked down, each person in the MSA celebrated when their part of the EDL landing was successfully completed.\u00a0 After the infamous \u201cseven minutes of terror\u201d (we didn\u2019t know the spacecraft\u2019s health status until seven minutes after it landed, because of transmission time), the room shook with excitement. I have never seen so many grown men cry in my life!\u00a0 And for the first time in my career, I cried the entire time I shot.\u00a0 I shook with excitement and was mobbed with hugs.<\/p>\n

That night, I had the honor of being the eyes to the world for my country. It is still difficult for me to articulate that moment because it was so surreal. My dad called me the next morning and said \u201cI watch the Apollo mission documentaries and I think, \u2018someone\u2019s child shot that.\u2019 But last night, my daughter shot Curiosity.\u201d<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Chapman Alumna Jillian Arnold, professor of Cinematography, describes the process of filming in space, which she recently had the opportunity […]<\/p>\n","protected":false},"author":82,"featured_media":2370,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"custom_author_name":"","chapman_pin_hero_slider":"","footnotes":""},"categories":[3,7],"tags":[39,189,204,16],"class_list":["post-2369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alumni","category-tv-broadcast-journalism","tag-alumni-2","tag-cinematography-2","tag-space","tag-tv"],"yoast_head":"\nDodge College of Film and Media Arts | Chapman Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.chapman.edu\/dodge\/2012\/09\/26\/tv-is-good-4u-prof-brown-interviews-jillian-arnold-about-filming-in-space\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TV Is Good 4U: Prof. Brown Interviews Jillian Arnold About Filming in Space - 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