{"id":12399,"date":"2020-05-20T16:31:57","date_gmt":"2020-05-20T23:31:57","guid":{"rendered":"https:\/\/blogschapman.wpenginepowered.com\/wilkinson\/2020\/05\/20\/visualizing-wilkinson-college\/"},"modified":"2026-07-20T23:51:49","modified_gmt":"2026-07-20T23:51:49","slug":"visualizing-wilkinson-college","status":"publish","type":"post","link":"https:\/\/blogs.chapman.edu\/wilkinson\/2020\/05\/20\/visualizing-wilkinson-college\/","title":{"rendered":"Visualizing Wilkinson Through Art"},"content":{"rendered":"<p><span style=\"font-weight: 400\">As a museum without walls, the Escalette Collection of Art is an expert at turning hallways into art galleries. Wilkinson College and the Escalette Collection are excited to announce plans for a new initiative to develop college-relevant art installations for Roosevelt Hall and Smith Hall &#8211; the buildings which house the Dean\u2019s suite and humanities and social sciences departments. These art exhibits are being thoughtfully curated by the Escalette staff to showcase the college\u2019s initiatives and goals, providing the campus with a visual representation of Wilkinson College, the heart and soul of Chapman University.<\/span><\/p>\n<blockquote>\n<h3><span style=\"font-weight: 400\">As an academic unit of the Wilkinson College, the mission of the Escalette Collection of Art is to support the research and academic interests of Wilkinson&#8217;s students, faculty, and staff by collecting and displaying art that inspires critical thinking and dialogue about contemporary issues and ideas. <\/span><\/h3>\n<\/blockquote>\n<p><span style=\"font-weight: 400\">The first phase of this expansion will focus on the center of Wilkinson College: the Dean&#8217;s Suite in Roosevelt Hall. Our collective goal was to display artwork and create a space that exemplifies the college\u2019s commitment to diversity, inclusion, and equity and the creativity of our faculty. To this end, the selected artwork highlights the various interdisciplinary minors housed within the Wilkinson Dean\u2019s Office. In addition, work by every full-time Art Department studio faculty member will be put on display.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The second phase of the new art program will focus on developing the first-floor hallway in Roosevelt Hall as a temporary exhibition space where the Escalette Collection can display new acquisitions or build displays relating to college initiatives. In Fall 2020, this space will showcase Black artists in the Escalette Collection in conjunction with Wilkinson College&#8217;s &#8220;Engaging the World: Leading the Conversation on the Significance of Race&#8221; initiative. Phase three will include installing artwork in Smith Hall that features recent acquisitions as well as developing meaningful displays of objects throughout Roosevelt and Smith Halls that connect to the specific departments housed in each space. Honoring our commitment to making exhibitions as accessible as possible, the Escalette Collection will create a variety of interpretive materials to enhance viewers&#8217; ability to engage with the artwork, including digital versions of the displays and audio tours.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Let&#8217;s take a sneak peek of our overall plan for the Dean\u2019s Suite and some of the artwork that will be displayed there!<\/span><\/p>\n<p>\u2022\u2022\u2022<\/p>\n<figure id=\"attachment_12414\" aria-describedby=\"caption-attachment-12414\" style=\"width: 513px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12414\" src=\"https:\/\/blogs.chapman.edu\/wilkinson\/wp-content\/uploads\/sites\/62\/2020\/05\/Screen-Shot-2020-05-20-at-4.23.33-PM.png\" alt=\"\" width=\"513\" height=\"472\" srcset=\"https:\/\/blogs.chapman.edu\/wilkinson\/wp-content\/uploads\/sites\/62\/2020\/05\/Screen-Shot-2020-05-20-at-4.23.33-PM.png 1342w, https:\/\/blogs.chapman.edu\/wilkinson\/wp-content\/uploads\/sites\/62\/2020\/05\/Screen-Shot-2020-05-20-at-4.23.33-PM-300x276.png 300w, https:\/\/blogs.chapman.edu\/wilkinson\/wp-content\/uploads\/sites\/62\/2020\/05\/Screen-Shot-2020-05-20-at-4.23.33-PM-1024x943.png 1024w, https:\/\/blogs.chapman.edu\/wilkinson\/wp-content\/uploads\/sites\/62\/2020\/05\/Screen-Shot-2020-05-20-at-4.23.33-PM-768x707.png 768w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><figcaption id=\"caption-attachment-12414\" class=\"wp-caption-text\">Floor plan of the Dean&#8217;s Suite with proposed artwork.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_3216\" aria-describedby=\"caption-attachment-3216\" style=\"width: 528px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/33\/2019\/09\/2017.10.1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3216\" src=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/33\/2019\/09\/2017.10.1-580x663.jpg\" alt=\"Image of cardboard painting by artist, Ramiro Gomez. \" width=\"528\" height=\"604\" \/><\/a><figcaption id=\"caption-attachment-3216\" class=\"wp-caption-text\">Ramiro Gomez, <em>Despu\u00e9s del trabajo<\/em>, 2016. Purchased with funds from the Escalette Endowment.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Born in San Bernardino, California to undocumented Mexican immigrant parents who have since become US citizens, Ramiro Gomez is known for addressing issues of immigration and making visible the \u201cinvisible\u201d labor forces that keep the pools, homes, and gardens of Los Angeles in such pristine condition. His method for doing so involves placing life-size cardboard cut-outs of gardeners, nannies, and housekeepers on display in neighborhoods and parks around Beverly Hills, California. This painting captures Gomez&#8217;s work with cardboard and the vagueness of his forms that powerfully communicates the \u201cinvisibility\u201d of the workers they represent.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_3323\" aria-describedby=\"caption-attachment-3323\" style=\"width: 580px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/33\/2020\/02\/large.jpg\" rel=\"attachment wp-att-3323\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3323\" src=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/33\/2020\/02\/large-580x584.jpg\" alt=\"\" width=\"580\" height=\"584\" \/><\/a><figcaption id=\"caption-attachment-3323\" class=\"wp-caption-text\">Rotimi Fani-Kayode, <em>Untitled<\/em>, gelatin silver print, 1985\/2018. Purchased with funds from the Ellingson Family.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Rotimi Fani-Kayode was a photographer who used his art to capture the black queer experience, to reject homophobia, and to fight for equal political representation during the AIDS crisis. Fani-Kayode was born in 1955 in Lagos, Nigeria. His father was a politician and chieftain of Ife, the ancestral Yoruba capital. At age 11, Kayode and his family moved to Brighton, England to flee the Nigerian Civil War.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Much of his early work was created during the height of the AIDS crisis and responded to the homophobia in Thatcherite England and his home country of Nigeria. His photos expressed black queerness, focused on cultural identity, and acted as political calls to action. His photographs combine African and European iconography as a way to contest the marginal status of Yoruba culture and explore the position of the black body in Western society.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_3439\" aria-describedby=\"caption-attachment-3439\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/33\/2020\/04\/2020.6.1.jpg\" rel=\"attachment wp-att-3439\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3439\" src=\"https:\/\/blogs.chapman.edu\/wp-content\/uploads\/sites\/33\/2020\/04\/2020.6.1.jpg\" alt=\"\" width=\"500\" height=\"370\" \/><\/a><figcaption id=\"caption-attachment-3439\" class=\"wp-caption-text\">Micol Hebron, <em>Cabaray: Observatory Venus at the Lover&#8217;s Hour<\/em>, Archival inkjet print, 2010. Purchased with funds from the Ellingson Family.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Micol Hebron is a performance artist and professor in the Art Department at Chapman University. This work, titled <\/span><i><span style=\"font-weight: 400\">Cabarary<\/span><\/i><span style=\"font-weight: 400\">:<\/span><i><span style=\"font-weight: 400\"> Observatory Venus at the Lover\u2019s Hour<\/span><\/i><span style=\"font-weight: 400\"> is part of a series in which Hebron combines and recreates notable works from art history. This piece combines Alexandre Cabanel\u2019s <\/span><i><span style=\"font-weight: 400\">Birth of Venus <\/span><\/i><span style=\"font-weight: 400\">and a photograph by Man Ray of a nude woman lying underneath his work <\/span><i><span style=\"font-weight: 400\">Observatory Time: The Lovers<\/span><\/i><span style=\"font-weight: 400\">. Hebron states that her works \u201cintentionally \u2018confuse\u2019 images and authorship, fusing two or more pieces that have formal similarities.\u201d Her inspiration for recreating famous works of art was born out of her art education background, creating an \u201cartistic, authorial identity crisis\u201d in the face of so many white male artists throughout art history.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_3487\" aria-describedby=\"caption-attachment-3487\" style=\"width: 752px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blogs.chapman.edu\/wilkinson\/wp-content\/uploads\/sites\/62\/2020\/05\/2010.1.1-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3487\" src=\"https:\/\/blogs.chapman.edu\/wilkinson\/wp-content\/uploads\/sites\/62\/2020\/05\/2010.1.1-2.jpg\" alt=\"\" width=\"752\" height=\"297\" \/><\/a><figcaption id=\"caption-attachment-3487\" class=\"wp-caption-text\">Seann Brackin, <em>#28<\/em>, Oil on canvas, 2005. Gift of Armen Karamardian.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Raised by artists, Seann Brackin spent his childhood in the American midwest before traveling tirelessly around the globe. He ended up in Los Angeles, where he currently works. Brackin has a BFA from the Pacific Northwest College of Art in painting with an emphasis on sculpture and contemporary art and an MFA from Claremont Graduate University in painting and sculpture. Brackin\u2019s work is about the vitality, zeal, and life that he encountered on his journey across the world. His painting <\/span><i><span style=\"font-weight: 400\">#28<\/span><\/i><span style=\"font-weight: 400\"> imagines the world through time, place, and emotion, expressed by bright colors and dynamic forms. Brackin wants his art to not only tell his own story, but to create an experience that will let the viewer create their own. In 2020, Brackin organized and curated an international, virtual <\/span><a href=\"http:\/\/quarantine.brackinworld.com\/index-1.html\"><span style=\"font-weight: 400\">exhibition<\/span><\/a><span style=\"font-weight: 400\"> of art made during the Covid-19 quarantine.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u2022\u2022\u2022\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">We invite you to explore all the works in the Escalette Collection by visiting our <\/span><\/i><a href=\"http:\/\/wilkinsonartcollections.chapman.edu\/\"><i><span style=\"font-weight: 400\">eMuseum.<\/span><\/i><\/a><\/p>\n<p style=\"text-align: center\">\n","protected":false},"excerpt":{"rendered":"<p>Escalette Collection\\&#8217;s New Plan<\/p>\n","protected":false},"author":2976,"featured_media":12404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"custom_author_name":"","chapman_pin_hero_slider":"","footnotes":""},"categories":[2630,5,2631],"tags":[],"class_list":["post-12399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-collections","category-news","category-wilkinson-college"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - 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