Edith Baumann
February 11, 2014
In 1993, I first experienced the magic of the Pantheon in Rome.
It was inspiring, AWEsome.
This experience has continued to impact everything I paint.
I’m trying to tap into something that is larger than me but includes me:
wholeness within wholeness. Pattern gets repeated in nature and creates
a connection…..a connection to all things; collective patterning.
In my most recent paintings, the Jazz Series, I’ve brought many
elements from my earlier work together: repetition of the same mark,
randomness and structure, the circle and patter.
-Edith Baumann*
Predating Baumann’s above epiphany,
Black/Green #3
is one of her aforementioned early works. Inspired by Mondrian, it has a healthy affinity for repetition of rectangles. More important, however, is the repetition of pattern: it’s a defining characteristic of Baumann’s career and the core compositional element to her Bar Paintings. Also of great import to Baumann is color: minimal and crisp, the colors in each painting are very intentional relationships. Often, these colors are brought explicitly to the viewers’ attention through the title, as in
Black/Green #3
.
For more works, information, and videos visit these sites:
- * Edith Baumann Website
- Edith Baumann: Jazz Notes, ARTWEEK L.A.
- Joan Quinn Interview of Edith Baumann (video)