In the piece “No Mākou Ke Ānuenue,” which translates to “A Rainbow for All,” undulating rainbows wrap around each other, flowing like a series of interlocking waves. Through these rainbows, Native Hawaiian artist Lehuauakea aims to acknowledge that the Pacific Islander community is a composition of diverse yet interwoven experiences, including those of traditional queer
A transformation of the 4th floor of Beckman Hall is underway thanks to two student-curated exhibitions featuring artwork from the Escalette Collection of Art. The first exhibition, titled Relative Fantasies, is now on display in the hallway outside of Academic Advising. Relative Fantasies was curated by students in Georgia Lassner’s Contemporary Gallery Practices (ART 296) course. As part
The American Alliance of Museums (AAM), the only organization representing the entire scope of the museum community, recently selected a new cohort of 79 museums to participate in its 2023 Museum Assessment Program, including the Escalette Permanent Art Collection at Chapman University. Since its inception in 1981, the Museum Assessment Program (MAP) has helped more
The Escalette Collection of Art is looking back at some of the fantastic work students created in the Fall 2022 semester based on artwork in the collection. Displaying artwork throughout Chapman’s campus allows students to engage with the collection, whether in their classes or just walking by. By bringing their unique backgrounds, perspectives, and knowledge to
Katie Dorame is a visual artist of mixed Tongva and European American ancestry. She is a member of the Gabrielino/Tongva tribe and her Indigenous heritage informs her art making. Born in Los Angeles, a place rooted in Tongva history, Dorame grew up going on walks with her father, learning about the neighborhood’s layers of history
Students in Dr. Fiona Shen’s First Year Focus (FFC) class, “Exploring the Escalette Collection of Art: An Experiential Journey” recently installed a new exhibition in Roosevelt Hall, home to Wilkinson College of Arts, Humanities, and Social Sciences. “WE WERE THEN, WE ARE NOW,” is a student- curated exhibition created as part of Wilkinson College’s Engaging the World: Leading
The Escalette Collection recently celebrated its 10+2 year anniversary, a commemoration delayed two years due to the pandemic. Established in 2010 through a generous donation by Phyllis and Ross Escalette, Wilkinson College’s “museum without walls” has grown to include over 830 works displayed in the public spaces throughout campus. This event celebrated this monumental milestone
This story begins in a little coffee shop in Urbana, Illinois, where I paired my first day as an intern at the Escalette Collection with a blackberry latte and a croissant. I opened Jessica’s e-mail attached with my official 10-week internship program. Seeing the program she curated just for me, I was filled with anticipation
Earlier this summer, the Escalette Collection introduced Mercedes Dorame, an artist whose work asserts the Tongva people’s presence by intervening in the landscapes of California. Today, we’d like to introduce another Tongva artist who utilizes visual imagery to amplify the voices of Indigenous peoples in Los Angeles: River Garza. River Garza is a Los Angeles-based
Image: Maggi Owens (center) with Ross and Phyllis Escalette It is with great sadness that the Escalette Collection announces the death of its former Curator, Maggi Owens, on August 15, 2022 in Palm Desert, CA. Owens made an inestimable contribution to Chapman’s campus over the long period she served, first as a volunteer, then co-director