LOOK! - On the Nature of Perception
Students in Marcus Herse’s Spring 2023 Curatorial Practice class partnered with the Escalette Collection of Art to curate and install an exhibition on the 4th floor of Beckman Hall. LOOK! – On the Nature of Perception is a socially aware exploration of the theme of perception, both in formal and conceptual terms. The students in Curatorial
Bound in Bone
In response to Wilkinson College’s 2023 Engaging the World Initiative, Leading the Conversation on Health Equity, the Escalette Collection of Art partnered Wilkinson and Crean College students with LA-based artist Jenny Yurshansky to create an experiential display in Roosevelt Hall titled Bound in Bone. The exhibition will be on display until November, 2024. Roosevelt Hall
Sewing in Community: Artist Talk with Tahereh Sheerazie
On Tuesday, December 5th, the Escalette Permanent Art Collection welcomed Tahereh Sheerazie, textile artist and landscape designer, to Chapman University. Sheerazie is a member of The Running Stitch, a sewing and quilting collective based in Los Angeles that has been active for over twenty-two years. In her lecture, Sewing In Community, Sheerazie spoke of her
Highlights of an Escalette Collection Summer Intern
This past summer I lived and breathed the Escalette Collection of Art. But, if I’m being honest, I have been fixated since registration day of my first year at Chapman University. I had Fiona Shen’s Freshman Focus Class (FFC) “ Exploring the Escalette Permanent Art Collection: An Experiential Journey” on my list the second I
A Week in the Life of an Escalette Collection Intern
While officially I joined the Escalette Collection of Art as a Collections Management and Research Intern on June 8th, 2023, I would argue my journey with the collection actually began 12 years ago, during one particularly scalding Southern California summer. While other children cooled off theaters and shopping malls, I found my sanctuary in the
Stillwater— How Three Photographers Suspend an Ever-Moving Element in Time
As summer sends thousands fleeing to seas and poolsides, we find ourselves reminded of water’s constant need to move— waves recede, riverbeds race, ice pops drip to the floor. But what happens when artists disobey mother nature and depict water as a fossil, a singular frame frozen in time. Join Wilkinson College’s Escalette Collection of
The Escalette Collection Breathes New Life into the Rinker Campus
Wilkinson College’s Escalette Collection has expanded its ‘museum without walls,’ serving students in the much needed campus center at Chapman’s Rinker Campus for Health Science in Irvine. With a collection concentrated on the theme of ‘wellness,” dynamic pieces vitalize white walls and breathe life into newly constructed space, creating an environment conducive to improved mental
"No Mākou Ke Ānuenue": Decolonizing Conversations on Queer Identities
In the piece “No Mākou Ke Ānuenue,” which translates to “A Rainbow for All,” undulating rainbows wrap around each other, flowing like a series of interlocking waves. Through these rainbows, Native Hawaiian artist Lehuauakea aims to acknowledge that the Pacific Islander community is a composition of diverse yet interwoven experiences, including those of traditional queer
Relative Fantasies - Student-Curated Exhibition
A transformation of the 4th floor of Beckman Hall is underway thanks to two student-curated exhibitions featuring artwork from the Escalette Collection of Art. The first exhibition, titled Relative Fantasies, is now on display in the hallway outside of Academic Advising. Relative Fantasies was curated by students in Georgia Lassner’s Contemporary Gallery Practices (ART 296) course. As part
The Escalette Permanent Art Collection Selected to Participate in National Museum Program
The American Alliance of Museums (AAM), the only organization representing the entire scope of the museum community, recently selected a new cohort of 79 museums to participate in its 2023 Museum Assessment Program, including the Escalette Permanent Art Collection at Chapman University. Since its inception in 1981, the Museum Assessment Program (MAP) has helped more