For several years, it has been standard practice for the Escalette Collection of Art to include students in its acquisition process. Student input supports our goal of building a collection that can serve as an educational resource that is directly tied to students’ classes, research, and interests. It also helps students feel a sense of
This past Spring semester, The Honarkar Foundation in Laguna Beach featured three Tony DeLap artworks from the Escalette Collection of Art in its inaugural exhibition corresponding with the opening of their new gallery space. The Honarkar Foundation is located in the historic former post-office building on Broadway Street, built in 1938. Orange County art collector
Created on familiar bright pink boxes, Phung Huynh’s art is an intriguing entrance point into the world of Cambodian refugees and their connection to one of America’s favorite treats: donuts. In works like Vann Nath, the donut boxes serve as the canvas for highly detailed portraits of the artist’s family members and other people from her community.
Students in Marcus Herse’s Spring 2023 Curatorial Practice class partnered with the Escalette Collection of Art to curate and install an exhibition on the 4th floor of Beckman Hall. LOOK! – On the Nature of Perception is a socially aware exploration of the theme of perception, both in formal and conceptual terms. The students in Curatorial
While officially I joined the Escalette Collection of Art as a Collections Management and Research Intern on June 8th, 2023, I would argue my journey with the collection actually began 12 years ago, during one particularly scalding Southern California summer. While other children cooled off theaters and shopping malls, I found my sanctuary in the
As summer sends thousands fleeing to seas and poolsides, we find ourselves reminded of water’s constant need to move— waves recede, riverbeds race, ice pops drip to the floor. But what happens when artists disobey mother nature and depict water as a fossil, a singular frame frozen in time. Join Wilkinson College’s Escalette Collection of
In the piece “No Mākou Ke Ānuenue,” which translates to “A Rainbow for All,” undulating rainbows wrap around each other, flowing like a series of interlocking waves. Through these rainbows, Native Hawaiian artist Lehuauakea aims to acknowledge that the Pacific Islander community is a composition of diverse yet interwoven experiences, including those of traditional queer
A transformation of the 4th floor of Beckman Hall is underway thanks to two student-curated exhibitions featuring artwork from the Escalette Collection of Art. The first exhibition, titled Relative Fantasies, is now on display in the hallway outside of Academic Advising. Relative Fantasies was curated by students in Georgia Lassner’s Contemporary Gallery Practices (ART 296) course. As part
Katie Dorame is a visual artist of mixed Tongva and European American ancestry. She is a member of the Gabrielino/Tongva tribe and her Indigenous heritage informs her art making. Born in Los Angeles, a place rooted in Tongva history, Dorame grew up going on walks with her father, learning about the neighborhood’s layers of history
Students in Dr. Fiona Shen’s First Year Focus (FFC) class, “Exploring the Escalette Collection of Art: An Experiential Journey” recently installed a new exhibition in Roosevelt Hall, home to Wilkinson College of Arts, Humanities, and Social Sciences. “WE WERE THEN, WE ARE NOW,” is a student- curated exhibition created as part of Wilkinson College’s Engaging the World: Leading