Artist, writer, and curator Soo Kim’s work That was because this year will of course go on is the newest addition to Chapman University’s Escalette Collection of Art. Dedicated to the memory of Ross and Phyllis Escalette, her piece is an intricately designed piece of hand-cut paper that conveys themes of presence and absence, levity and gravity.
September 15th to October 15th is National Hispanic Heritage Month. To celebrate, we here at Escalette would like to highlight a piece of art in our collection by Edward Ruscha entitled, Pico and Sepulveda. Ruscha has lived the majority of his life in Southern California, where he continues to live, teach, make art, and publish books to
This past Sunday, friends and visitors gathered to celebrate the closing reception of the Paths and Edges exhibition at the Guggenheim Gallery, which marks the fifth anniversary of the Escalette Permanent Collection of Art. Several of the exhibit’s featured artists were in attendance, including Soo Kim, whose artwork That was because this year will of course go on is the
Growing up in South Africa during the mid to late 1900’s with an antiapartheid lawyer for a father made William Kentridge very aware of what was happening in South African society at the time. This awareness led him to pursue a career in politics and African studies; however, after obtaining degrees in those areas, Kentridge
Miya Ando, whose sculptural structure is now on view at the 56th Venice Biennale, is most well-known for the paintings she creates with metal. These “industrial watercolors” are made using a variety of complicated processes involving scorching heat, electrically charged vats, sharp tools, dangerous chemicals, loud sanding, and layers of paint or dye. Her fascination with such
Jay McCafferty’s solar paintings are unusual for one specific reason; instead of using paint as his primary medium he uses solar rays to create his artwork. McCafferty uses a magnifying glass to channel the sun’s rays and burn holes into stacks of painted vellum paper or cardboard. Each hole he burns is unique given the
This week, staff from the Guggenheim Gallery and the Escalette Collection, along with their team of student assistants, have been beating the relentless July heat to install Chapman’s new exhibit in the Guggenheim Gallery: Paths and Edges: Celebrating the Fifth-Anniversary of Our Escalette Collection. The exhibit will consist of over one dozen works of art from the collection,
Cliff Benjamin is a notable name in the modern art world: not only is he an artist himself, but he also is the co-owner of Western Project, a modern art gallery in Culver City, California. He began his career as an artist, then continued his profession into the world of education and support for fellow artists.
Every day while walking the hallways of the 633 W. Palm building here at Chapman, I pass by a couple of paintings by the artist Seann Brackin. I always have to be careful, because if I stop to gaze at these pieces, hours could pass by and I would still be entranced by them, possibly
Allison Schulnik’s paintings are a space where abstraction, movement, and tension come together, reflecting her later work in animation. Her work is multi-layered and as she says herself, it is really about activating the surface of the canvas. In an interview with Lauren Licata of Mark Moore Gallery, Schulnik describes her process: “I rarely have