As summer sends thousands fleeing to seas and poolsides, we find ourselves reminded of water’s constant need to move— waves recede, riverbeds race, ice pops drip to the floor. But what happens when artists disobey mother nature and depict water as a fossil, a singular frame frozen in time. Join Wilkinson College’s Escalette Collection of
Wilkinson College’s Escalette Collection has expanded its ‘museum without walls,’ serving students in the much needed campus center at Chapman’s Rinker Campus for Health Science in Irvine. With a collection concentrated on the theme of ‘wellness,” dynamic pieces vitalize white walls and breathe life into newly constructed space, creating an environment conducive to improved mental
Students in Dr. Fiona Shen’s First Year Focus (FFC) class, “Exploring the Escalette Collection of Art: An Experiential Journey” recently installed a new exhibition in Roosevelt Hall, home to Wilkinson College of Arts, Humanities, and Social Sciences. “WE WERE THEN, WE ARE NOW,” is a student- curated exhibition created as part of Wilkinson College’s Engaging the World: Leading
Last week, Gerald Clarke, multimedia artist, enrolled member of the Cahuilla Band of Indians, and Professor of Ethnic Studies at UC Riverside, came to campus as part of Wilkinson College’s Engaging the World: Leading the Conversation on Ethnic Studies initiative. Combining various media in his sculptures, paintings, works on paper, videos, performances, and installations, Clarke
As an artist born in Los Angeles, and as a member of the Gabrielino Tongva Indians of California (whose land extended from the Los Angeles Basin to the Southern Channel Islands), Mercedes Dorame feels deeply connected to the landscape of California. She explores the problematics of living in a place that once belonged to her
Zackary Drucker, in collaboration with Rhys Ernst, created a series of photographs titled Relationship that lasted from 2008 until 2014 that focused on not only their evolving stages in their respective transitions, but also their attachment to one another. Gaze, energy, and intimacy are all important themes in this series. The representation of transgender bodies
Have you ever heard the phrase “male gaze”? It was first coined in 1975 by film critic Laura Mulvey to describe how women are represented in visual arts and literature. She noticed that in movies, advertisements, literature, art, etc., women were often presented as objects of pleasure for heterosexual male viewers. This pattern reinforces a
Millie Wilson’s light box photos are a series of haunting and humorous works that poke at stereotypes, gendered situations, and the mundanity of everyday life. The Escalette Collection of Art has two works of Wilson’s on display in Smith Hall: Untitled (boys in desert) from her 2013 exhibition Some People, and an earlier 2011 work,
At first glance, the photographs created by Ken Gonzalez-Day appear to be mere re-presentations of ancient sculpture, similar to that you might see on a museum wall; however, when displayed in massive, bill-board-sized installations throughout Los Angeles, these large photographic compositions take on new meaning. Shown against the context of the diversity of Los Angeles,
Paul Mpagi Sepuya is an American photographer whose works deconstruct viewers’ expectations of the nude and self-portrait in art, and meditate on the fragmentation of queer and photographed bodies. His goal is for “queer, black photographs to exist within historic and contemporary conversations about photography as a whole, affirming the medium and my personal investment