The Clear-cut panel event on the art of papercuts, and the exhibition, Geometric Aljamía, focuses on the art of papercutting from diverse cultures around the world. One of these international techniques is known as, “papel picado,” a Mexican style of papercutting that has roots in the country’s ancient history. In pre-Hispanic Mexico, the Aztec people would use tree bark
Chris Natrop’s installations create a sort of mini-world: videos are projected and lighting is carefully directed on papercuts and other objects that fill the entire space. Though Natrop’s papercuts are able to participate in the entirety of the unified installation, they are equally effective as stand-alone works. Natrop, a Wisconsin native, received his BFA from
In our current society we often hear that the Middle East and the West are two completely different societies with conflicting cultures, but in fact, Middle Eastern and Western cultures have much more in common than we may think. These similarities are evident in the art exhibition Geometric Aljamía (displayed at Chapman University on the second
On Monday, November 7, the Art Collections Department will host a panel discussion that brings together east and west coast artists to talk about the art of papercuts. Papercutting is a centuries-old, cross-cultural art form that remains vibrant and relevant today. Practiced by artists from Kabul to Mexico to China to Los Angeles, papercutting is an
If you had the chance to stop by the second floor of Argyros Forum during the past few months, you may have noticed our most recent exhibition titled 1:1: Parings from the Escalette Collection of Art. Housed in the Doy and Dee Henley Galleria, this exhibition featured six cases with two paintings in each case. Exhibiting two similar
Upon first inspection, watercolor and gouache (pronounced “gwash”) may appear to be nearly identical mediums. However, when given more attention, one can see that both paints have individual characteristics that make them easy to distinguish. A primary difference between the two paints is that gouache is more opaque than watercolor. When a layer of watercolor
Artists from our Escalette Collection of Art are frequently featured in galleries, exhibitions, art fairs, and beyond. This month, we have three top exhibitions on our radar within Southern California: Soo Kim and Chris Nathrop in Paperworks at the Craft and Folk Art Museum, on view until January 3, 2016. Frank Gehry retrospective at the
Artist, writer, and curator Soo Kim’s work That was because this year will of course go on is the newest addition to Chapman University’s Escalette Collection of Art. Dedicated to the memory of Ross and Phyllis Escalette, her piece is an intricately designed piece of hand-cut paper that conveys themes of presence and absence, levity and gravity.
This past Sunday, friends and visitors gathered to celebrate the closing reception of the Paths and Edges exhibition at the Guggenheim Gallery, which marks the fifth anniversary of the Escalette Permanent Collection of Art. Several of the exhibit’s featured artists were in attendance, including Soo Kim, whose artwork That was because this year will of course go on is the
Miya Ando, whose sculptural structure is now on view at the 56th Venice Biennale, is most well-known for the paintings she creates with metal. These “industrial watercolors” are made using a variety of complicated processes involving scorching heat, electrically charged vats, sharp tools, dangerous chemicals, loud sanding, and layers of paint or dye. Her fascination with such