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Daring to Gaze

March 1, 2017 by | Escalette Permanent Collection of Art

If You Come Any Closer I’ll Kill You—this is the title of the pair of paintings that reside in Beckman Hall as a part of the Escalette Collection of Art here at Chapman University. The pieces are by Los Angeles based artist Judie Bamber. The pair of paintings are square in shape, relatively small in

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Capturing the Journey

February 23, 2017 by | Temporary Exhibits

The Wilkinson College of Arts, Humanities, and Social Sciences, in collaboration with a “Getting to Know Europe” grant from the European Union, launched a Scholar-in-Residence program that gives European-based visual artists and culture professionals an opportunity to bring their work into the Chapman community and engage with new perspectives and ideas. Our current scholar-team in

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Moving Forward, Looking Back Goes Digital!

February 16, 2017 by | Escalette Permanent Collection of Art

The Wilkinson College of Arts, Humanities, and Social Sciences, in collaboration with a “Getting to Know Europe” grant from the European Union, launched a Scholar-in-Residence program that gives European-based visual artists and culture professionals an opportunity to bring their work into the Chapman community and engage with new perspectives and ideas. Our current scholar-team in residence is the

2422

An Escalette-mas Carol!

December 21, 2016 by | Escalette Permanent Collection of Art

You know Dali and Monet and Warhol and Matisse, you know Pollock, Picasso and Rembrandt and O’Keeffe, But do you recall, The most subtle painting of all? Untitled by Mary Corse Was a very abstract piece And if you ever saw it You would even say, “oh geez!” All of the other paintings Used to laugh and call it names They never let Untitled

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A Conversation with Štěpánka Jislová

December 7, 2016 by | Wilkinson College Arts

The Wilkinson College of Arts, Humanities, and Social Sciences, in collaboration with a “Getting to Know Europe” grant from the European Union, launched a Scholar-in-Residence program that gives European-based visual artists and culture professionals an opportunity to bring their work into the Chapman community and engage with new perspectives and ideas. This semester’s Scholar-in-Resident was Štěpánka

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Geometric Aljamía: Papercutting Workshop

November 21, 2016 by | Temporary Exhibits

On November 7th and 8th, students, staff, and faculty alike had the unique opportunity to participate in a workshop dedicated to contemporary papercuts. The workshops were lead by Reni Gower and Jorge Benitez, whose works are currently on display on the second floor of Argyros Forum in the exhibition Geometric Aljamía: A Cultural Transliteration. Benitez, whose

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Clear-Cut: The Point of Papercuts

November 17, 2016 by | Escalette Permanent Collection of Art

Last Monday, the Chapman University Art Collections department debuted Clear-cut: The Point of Papercuts, a panel discussion on the art of papercuts in Beckman Hall. Papercut artists and professors Jorge Benitez and Reni Gower kicked off the panel with a brief synopsis of the extensive research and international collaboration that was incorporated into the exhibition Geometric Aljamía: A

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Margaret Sosa

November 4, 2016 by | Escalette Permanent Collection of Art

The Clear-cut panel event  on the art of papercuts, and the exhibition, Geometric Aljamía, focuses on the art of papercutting from diverse cultures around the world. One of these international techniques is known as, “papel picado,” a Mexican style of papercutting that has roots in the country’s ancient history. In pre-Hispanic Mexico, the Aztec people would use tree bark

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Chris Natrop

October 26, 2016 by | Escalette Permanent Collection of Art

Chris Natrop’s installations create a sort of mini-world: videos are projected and lighting is carefully directed on papercuts and other objects that fill the entire space. Though Natrop’s papercuts are able to participate in the entirety of the unified installation, they are equally effective as stand-alone works. Natrop, a Wisconsin native, received his BFA from

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