With Ann Hamilton’s Warp & Weft II, mundane materials (paper, ink) and mundane subject matter (a textile, drawn thin) expand in the imagination to the level of the sublime. Philip Pedersen (Senior, Screen Acting/English) and Jacob Walker (Senior, Screenwriting/Television) were drawn in by the painterly lithograph’s subtle pull, and attempted to find adequate metaphors to
Baldessari’s Discontent? II Like Rebecca Malkin, Junior Communication Studies major Raphaelle Canaan also sees discontent in Baldessari’s Accordionist (With Crowd) of 1994. However, in her reading that discontent is counteracted by the accordionist’s autonomy, leading her to argue that the work ultimately has a positive message. Faces in a Crowd Baldessari’s Accordionist (With Crowd) shows
In ART 261 students are introduced to the objects, theories, and methods of the study of the history of art from the Renaissance to today. The first assignment for the class is to write a formal analysis of a work of art. Formal analysis is the backbone of art writing, whether it be art history,
We here at the Escalette Permanent Collection of Art are proud to house a wide variety of art pieces. These artistic works are diverse in time period, style, color, medium, and subjects. Below, we have decided to feature some of the pieces in our collection to celebrate the Halloween season! Be they intentionally or unintentionally eerie,
German architect Walter Gropius opened the Bauhaus school in 1919 in Weimer, Germany. The Bauhaus served not only as a school for architects, but a site for re-imagining the material world through the unification of all the arts. The school combined crafts school, academy of the arts, and architecture school, providing workshops in cabinetmaking, textile making, metalworking,
One of Chapman’s signature attributes is our highly regarded artwork from world-renowned artists. Ever wonder about how these beautiful pieces got here — how they were selected, who installed them or other curator details? Chapman has our very own on-site curator, Natalie Lawler, assistant collections registrar and preparator, who manages, catalogs, installs and maintains the University’s fine art