This exhibit will be displayed on the second floor of Argyros Forum and will take place from February 28, 2019 through September 20, 2019. At Chapman University creativity and innovation are part of every learning opportunity. Whether students and faculty are collaborating on an art installation, writing a screenplay, composing a film score,
Nestled between the Leatherby Libraries and Oliphant Hall stand two unusual steel sculptures. Both demand attention from all who walk this space; one is perched atop two uneven grassy knolls, creating an overhead canopy, while the other stands among the passersby, leaning precariously into their space. These pieces, titled The Levitation of the Enchanted Princess and Le Levateur, are by
Masami Teraoka is a Japanese-American artist who was born in Onomichi, the Hiroshima Prefecture of Japan in 1936. His artwork blends traditional Japanese Edo aesthetic with American culture and contemporary issues. Teraoka received a B.A. in Aesthetics at Kwansei Gakuin University in Kobe, Japan, before moving to Los Angeles in 1961, where he received his
The Wilkinson College of Arts, Humanities, and Social Sciences, in collaboration with a “Getting to Know Europe” grant from the European Union, launched a Scholar-in-Residence program that gives European-based visual artists and culture professionals an opportunity to bring their work into the Chapman community and engage with new perspectives and ideas. Our current scholar-team in
On November 7th and 8th, students, staff, and faculty alike had the unique opportunity to participate in a workshop dedicated to contemporary papercuts. The workshops were lead by Reni Gower and Jorge Benitez, whose works are currently on display on the second floor of Argyros Forum in the exhibition Geometric Aljamía: A Cultural Transliteration. Benitez, whose
The Clear-cut panel event on the art of papercuts, and the exhibition, Geometric Aljamía, focuses on the art of papercutting from diverse cultures around the world. One of these international techniques is known as, “papel picado,” a Mexican style of papercutting that has roots in the country’s ancient history. In pre-Hispanic Mexico, the Aztec people would use tree bark
On Monday, November 7, the Art Collections Department will host a panel discussion that brings together east and west coast artists to talk about the art of papercuts. Papercutting is a centuries-old, cross-cultural art form that remains vibrant and relevant today. Practiced by artists from Kabul to Mexico to China to Los Angeles, papercutting is an
If you had the chance to stop by the second floor of Argyros Forum during the past few months, you may have noticed our most recent exhibition titled 1:1: Parings from the Escalette Collection of Art. Housed in the Doy and Dee Henley Galleria, this exhibition featured six cases with two paintings in each case. Exhibiting two similar
Women’s History Month is here, which gives us the wonderful opportunity to talk about one of our many talented female artists, Carole Caroompas and her intriguing drawing, “Study for Briar Rose.” Carole Caroompas was born in Oregon City, Oregon and currently lives and works in Los Angeles, California where she is a professor at Otis
Some of the Escalette Collection’s most fantastic pieces belong to the medium of screenprinting, and while that might ring a bell for some, to others the process is a total mystery. As the infant of the printmaking family, it only became a technique used in fine art during the mid-1930s, unlike to other printmaking methods