A Conversation with Štěpánka Jislová
The Wilkinson College of Arts, Humanities, and Social Sciences, in collaboration with a “Getting to Know Europe” grant from the European Union, launched a Scholar-in-Residence program that gives European-based visual artists and culture professionals an opportunity to bring their work into the Chapman community and engage with new perspectives and ideas. This semester’s Scholar-in-Resident was Štěpánka
Geometric Aljamía: Papercutting Workshop
On November 7th and 8th, students, staff, and faculty alike had the unique opportunity to participate in a workshop dedicated to contemporary papercuts. The workshops were lead by Reni Gower and Jorge Benitez, whose works are currently on display on the second floor of Argyros Forum in the exhibition Geometric Aljamía: A Cultural Transliteration. Benitez, whose
Clear-Cut: The Point of Papercuts
Last Monday, the Chapman University Art Collections department debuted Clear-cut: The Point of Papercuts, a panel discussion on the art of papercuts in Beckman Hall. Papercut artists and professors Jorge Benitez and Reni Gower kicked off the panel with a brief synopsis of the extensive research and international collaboration that was incorporated into the exhibition Geometric Aljamía: A
Margaret Sosa
The Clear-cut panel event on the art of papercuts, and the exhibition, Geometric Aljamía, focuses on the art of papercutting from diverse cultures around the world. One of these international techniques is known as, “papel picado,” a Mexican style of papercutting that has roots in the country’s ancient history. In pre-Hispanic Mexico, the Aztec people would use tree bark
Chris Natrop
Chris Natrop’s installations create a sort of mini-world: videos are projected and lighting is carefully directed on papercuts and other objects that fill the entire space. Though Natrop’s papercuts are able to participate in the entirety of the unified installation, they are equally effective as stand-alone works. Natrop, a Wisconsin native, received his BFA from
Bovey Lee
Bovey Lee is a Los Angeles based artist who has traded in the brush for the knife in order to create mesmerizing and detailed cut paper works of art. Bovey Lee was inspired by Chinese calligraphy from an early age, and later went on to complete a BA in Fine arts at the Chinese University of
Jorge Benitez
In our current society we often hear that the Middle East and the West are two completely different societies with conflicting cultures, but in fact, Middle Eastern and Western cultures have much more in common than we may think. These similarities are evident in the art exhibition Geometric Aljamía (displayed at Chapman University on the second
The Art Collections Department joins the Getty's Pacific Standard Time: LA/LA initiative
The Art Collections Department is excited to announce our participation in the Pacific Standard Time: LA/LA initiative led by the Getty. Pacific Standard Time: LA/LA, is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Initiated through grants from the Getty Foundation, Pacific Standard Time: LA/LA takes place
Reni Gower
Do you remember learning to make snowflakes by folding paper and cutting it? Far from simply being a fun craft, the tradition of paper cutting is a fine art that dates back to 6th century China. The art of paper cutting was practiced solely in China until the 16th century when it started to spread
Clear-cut: The Point of Papercuts
On Monday, November 7, the Art Collections Department will host a panel discussion that brings together east and west coast artists to talk about the art of papercuts. Papercutting is a centuries-old, cross-cultural art form that remains vibrant and relevant today. Practiced by artists from Kabul to Mexico to China to Los Angeles, papercutting is an