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Bovey Lee

October 20, 2016 by | Escalette Permanent Collection of Art

Bovey Lee is a Los Angeles based artist who has traded in the brush for the knife in order to create mesmerizing and detailed cut paper works of art. Bovey Lee was inspired by Chinese calligraphy from an early age, and later went on to complete a BA in Fine arts at the Chinese University of

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Jorge Benitez

October 13, 2016 by | Escalette Permanent Collection of Art

In our current society we often hear that the Middle East and the West are two completely different societies with conflicting cultures, but in fact, Middle Eastern and Western cultures have much more in common than we may think. These similarities are evident in the art exhibition Geometric Aljamía (displayed at Chapman University on the second

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The Art Collections Department joins the Getty's Pacific Standard Time: LA/LA initiative

October 11, 2016 by | The Chapman University Campus Collection

The Art Collections Department is excited to announce our participation in the Pacific Standard Time: LA/LA initiative led by the Getty. Pacific Standard Time: LA/LA, is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Initiated through grants from the Getty Foundation, Pacific Standard Time: LA/LA takes place

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Reni Gower

October 6, 2016 by | Escalette Permanent Collection of Art

Do you remember learning to make snowflakes by folding paper and cutting it? Far from simply being a fun craft, the tradition of paper cutting is a fine art that dates back to 6th century China. The art of paper cutting was practiced solely in China until the 16th century when it started to spread

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Clear-cut: The Point of Papercuts

October 3, 2016 by | Escalette Permanent Collection of Art

On Monday, November 7, the Art Collections Department will host a panel discussion that brings together east and west coast artists to talk about the art of papercuts. Papercutting is a centuries-old, cross-cultural art form that remains vibrant and relevant today. Practiced by artists from Kabul to Mexico to China to Los Angeles, papercutting is an

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Dodge College of Film and Media Arts Visits the Hilbert Museum

September 30, 2016 by | California Scene Paiting

Students from the Dodge College of Film and Media Arts made a visit to The Hilbert Museum for a tour, specifically to explore the use of light in paintings, which was led by the Art Collections’ Curator and Student Art Ambassadors. Professor Judy Kriger‘s class is studying how to use 3D software to incorporate shading, lighting, and rendering techniques

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CU Art Collections Featured on 'Gallery Systems' Website

September 29, 2016 by | Escalette Permanent Collection of Art

This month, the Chapman University Art Collections Department is excited to announce that we are featured as a case study on the home page for Gallery Systems, a software company that provides industry-leading art collection management systems. The company is known for their flagship product, The Museum System (TMS), and they work with over 800 institutions around

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1:1 and You

August 9, 2016 by | Escalette Permanent Collection of Art

If you had the chance to stop by the second floor of Argyros Forum during the past few months, you may have noticed our most recent exhibition titled 1:1: Parings from the Escalette Collection of Art. Housed in the Doy and Dee Henley Galleria, this exhibition featured six cases with two paintings in each case. Exhibiting two similar

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Orange County Art Guide

August 1, 2016 by | Uncategorized

Museum Exhibitions The Hilbert Museum of California Art at Chapman University: Narrative Visions: 20th Century California Art from the Hilbert Collection Bowers Museum: March 19, 2016 – September 5, 2016 Mummies of the World Ongoing Mystery from the Tomb: The Face Beneath the Mask Ongoing from June 11, 2016 California Bounty: Image and Identity, 1850 – 1930

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Regionalism

July 25, 2016 by | The Hilbert Museum of California Art

Regionalism was an American art movement that emerged in the Midwest in the early 1930s and continued into the early 1940s. While Grant Wood, the leading artist of Regionalism and creator of the infamous American Gothic painting, considered the movement to be a new type of modern art, Regionalism also has deep historical roots in American art

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