For the final post in The Art of Writing about Art series we turn to the newest work to enter the Escalette Collection: Soo Kim’s hand-cut paper That was because this year will of course go on (2014). Like Mary Corse’s Untitled, with which we began, Kim’s relief sculpture in paper is a study in
With Ann Hamilton’s Warp & Weft II, mundane materials (paper, ink) and mundane subject matter (a textile, drawn thin) expand in the imagination to the level of the sublime. Philip Pedersen (Senior, Screen Acting/English) and Jacob Walker (Senior, Screenwriting/Television) were drawn in by the painterly lithograph’s subtle pull, and attempted to find adequate metaphors to
Baldessari’s Discontent? II Like Rebecca Malkin, Junior Communication Studies major Raphaelle Canaan also sees discontent in Baldessari’s Accordionist (With Crowd) of 1994. However, in her reading that discontent is counteracted by the accordionist’s autonomy, leading her to argue that the work ultimately has a positive message. Faces in a Crowd Baldessari’s Accordionist (With Crowd) shows
Baldessari’s Discontent? Part I For their first formal analysis assignment, several students in ART 261 chose to write about John Baldessari’s 1994 lithograph Accordionist (With Crowd). Grace Jones (Freshman, History) explains why determining meaning in Accordionist (With Crowd) is so challenging: “Each face in the “crowd” is concealed by a large, colorful dot, giving viewers
In ART 261 students are introduced to the objects, theories, and methods of the study of the history of art from the Renaissance to today. The first assignment for the class is to write a formal analysis of a work of art. Formal analysis is the backbone of art writing, whether it be art history,
Here, in our own backyard, the Guggenheim Gallery is presently housing the Stray Edge exhibition. Stray Edge features several artists, one of which is Monique Van Genderen, who spoke at the Visual Thinker Lecture Series on October 28th. With the combined lecture and art exhibit, a rare opportunity is created, allowing for a complete understanding for her work. The next Visual
German architect Walter Gropius opened the Bauhaus school in 1919 in Weimer, Germany. The Bauhaus served not only as a school for architects, but a site for re-imagining the material world through the unification of all the arts. The school combined crafts school, academy of the arts, and architecture school, providing workshops in cabinetmaking, textile making, metalworking,
Shai Kremer is an Israeli photographer best known for his series “Infected Landscape”. Kremer was educated in photography at Tel Aviv’s Camera Obscura School of Arts, as well as in media arts at the School of Visual Arts in New York, NY. The photographs Military Ammunition Storage, Ten Years After Explosion and Shooting Defense Wall, Gilo Neighborhood are from