Opening This Month Seen for Syria at the Orange County Center for Contemporary Art on January 3rd Dennis McNett x Kati Milliams at the Artists Republic 4 Tomorrow (AR4T) on January 9th Kati Williams x Dennis McNett at the Artists Republic 4 Tomorrow (AR4T) on January 9th Centered on the Center
Nicolas Shake is no stranger to Chapman University. In fact, he was an assistant professor at Chapman University from 2011-2013. Shake is primarily an artist, whose work encompasses a wide array of mediums, including paintings, collage, photography, installation art, site specific art, and sculpture. Shake was raised in Palmdale, California and lives and works in Los
Coffee roasting inside Beckman Hall, The Piazza’s quiet, calm, serene, While all inside, the artwork comes alive, Forming a very festive team! Everybody knows Wayne White will “freak” and have some fun, Even John Paul Jones is looking bright. Tiny horses by Schulnik will all run, And beads will shimmer in White on White!
Function In recognition of Christmas, we’re posting a selection of Russian icons from our collection. Icons play an important role in the Orthodox Christian faith, serving as manifestation of the divine world in our human one. Icons are displayed in both churches and private homes, and are even made in miniature forms for travel. While
According to the Merriam-Webster Dictionary, the word “modern” is defined as, “of or relating to the present time.” The word “contemporary” is defined as “happening or beginning now or in recent times.” While these definitions may appear to be similar or even nearly identical, in terms of art genres, they are very incongruent. The modern art movement began in the 1860’s
After WWII, Atomic power and new technologies changed the entire dynamic of how art was perceived. Mass culture took over formality and breached subject matter conventions. This revolution is most commonly known as the Pop Art Movement. The term “pop” comes from the word “popular.” It is not a reference to Pop’s popularity, but to its focus
Victor Hugo Zayas’ paintings are, what I like to call, ‘samatva’. ‘Samatva’ in Sanskrit means in balance. This concept is ever more prominent in Zayas’ painting Illuvia. With dark tones and thick brushstrokes, Illuvia is a balance of observation and abstraction. Zayas paints the cityscape as it is, but also distorts the fixtures by changing the tone, color,
With Ann Hamilton’s Warp & Weft II, mundane materials (paper, ink) and mundane subject matter (a textile, drawn thin) expand in the imagination to the level of the sublime. Philip Pedersen (Senior, Screen Acting/English) and Jacob Walker (Senior, Screenwriting/Television) were drawn in by the painterly lithograph’s subtle pull, and attempted to find adequate metaphors to
Baldessari’s Discontent? II Like Rebecca Malkin, Junior Communication Studies major Raphaelle Canaan also sees discontent in Baldessari’s Accordionist (With Crowd) of 1994. However, in her reading that discontent is counteracted by the accordionist’s autonomy, leading her to argue that the work ultimately has a positive message. Faces in a Crowd Baldessari’s Accordionist (With Crowd) shows
In ART 261 students are introduced to the objects, theories, and methods of the study of the history of art from the Renaissance to today. The first assignment for the class is to write a formal analysis of a work of art. Formal analysis is the backbone of art writing, whether it be art history,