With Black History Month upon us, many talented artists of color come to mind, including L.A. based artist Mark Bradford. We are fortunate to have a few Mark Bradford lithographs in the Escalette Collection that give us a glimpse into Bradford’s large body of work. Despite the often political angle to his art, Bradford’s work
Nicolas Shake is no stranger to Chapman University. In fact, he was an assistant professor at Chapman University from 2011-2013. Shake is primarily an artist, whose work encompasses a wide array of mediums, including paintings, collage, photography, installation art, site specific art, and sculpture. Shake was raised in Palmdale, California and lives and works in Los
For the final post in The Art of Writing about Art series we turn to the newest work to enter the Escalette Collection: Soo Kim’s hand-cut paper That was because this year will of course go on (2014). Like Mary Corse’s Untitled, with which we began, Kim’s relief sculpture in paper is a study in
Baldessari’s Discontent? II Like Rebecca Malkin, Junior Communication Studies major Raphaelle Canaan also sees discontent in Baldessari’s Accordionist (With Crowd) of 1994. However, in her reading that discontent is counteracted by the accordionist’s autonomy, leading her to argue that the work ultimately has a positive message. Faces in a Crowd Baldessari’s Accordionist (With Crowd) shows
Baldessari’s Discontent? Part I For their first formal analysis assignment, several students in ART 261 chose to write about John Baldessari’s 1994 lithograph Accordionist (With Crowd). Grace Jones (Freshman, History) explains why determining meaning in Accordionist (With Crowd) is so challenging: “Each face in the “crowd” is concealed by a large, colorful dot, giving viewers
We here at the Escalette Permanent Collection of Art are proud to house a wide variety of art pieces. These artistic works are diverse in time period, style, color, medium, and subjects. Below, we have decided to feature some of the pieces in our collection to celebrate the Halloween season! Be they intentionally or unintentionally eerie,
To many, white may represent ‘nothing’ – the absence of color, shape or form of any kind. However, white can reveal its own complexities and meanings just as any color can. Artists Mary Corse and Sam Francis use plenty of white in their work, challenging our perceptions of negative space, and creating new interpretations of
Allison Schulnik’s paintings are a space where abstraction, movement, and tension come together, reflecting her later work in animation. Her work is multi-layered and as she says herself, it is really about activating the surface of the canvas. In an interview with Lauren Licata of Mark Moore Gallery, Schulnik describes her process: “I rarely have
Crowds gathered on Tuesday night in Leatherby Libraries to celebrate the opening of a temporary exhibit titled, “Changing California: Selected watercolors from the Mark and Janet Hilbert Collection of California Art at Chapman University.” The exhibit features eleven pieces from the Hilbert Collection, each representing life across California, especially the social, cultural, and historical changes occurring