The College of Performing Arts welcomes three new music and theatre faculty for fall semester 2021. Hall-Musco Conservatory of Music Octavio Cárdenas Instructor Director, Opera Chapman Octavio Cárdenas is a critically acclaimed opera stage director, having led a wide range of productions in opera venues throughout the United States, including Des Moines Metro Opera, Opera
He’s been described as the “…the gateway drug to classical music“—and it’s no wonder, after Daniel Emmet (’15) wowed judges and audiences alike with his powerhouse performances on America’s Got Talent, putting an operatic spin on songs like Aerosmith’s I Don’t Want to Miss a Thing. This young classical crossover sensation and Chapman vocal performance alumnus returns
On Saturday, May 11, the Hall-Musco Conservatory of Music’s 45th Annual Sholund Scholarship Concert* presents Carmina Burana by Carl Orff, at 4 p.m. in Musco Center for the Arts. The concert features over 165 instrumental and choral artists from The Chapman Orchestra and Chapman Choirs, including three alumni guest-soloists. Tickets are $20 general admission; $15 senior
Chapman University’s 2017-18 academic year marks the thrilling tenth anniversary of the formation of the College of Performing Arts! To mark this great milestone, several special CoPA 10th Anniversary events are planned throughout the performance season beginning in October 2017. Did you know? CoPA produces over 100 shows and concerts every year as part of Chapman’s pre-professional curriculum in
The Who’s Tommy reaches deep and leaves no element of heartbreak unexplored in its tale of self-discovery and familial reconciliation. It is a challenging musical for many reasons; actors must infuse every moment with energy worthy not only of immortal rock stars, but also of vulnerable humans. The Pinball Wizard of The Who’s Tommy experiences the glories of rock and roll and
Of course, Pinball Wizard is his favorite number. Never mind that it’s hard to keep a straight face as an absurdly-costumed cast prances around him while he compulsively plays a pinball machine. This is The Who’s Tommy, and if you’re Tommy you just have to love the iconic moment in the 1969 rock opera when
As of late, many students and artists have been wondering what they can do to make their voices, and the voices of others, heard. As you can imagine, these thoughts have been manifesting twice as much within student-artists. That is particularly why the Coalition of Artistic Students in Theatre (CAST), a club within the Department
The smoothness of the finest white satin. The warm black skin of her husband. A stash of savings sewn into a hem. These are some of the things that Esther, an African-American seamstress filled with longing in playwright Lynn Nottage’s Intimate Apparel, can feel under her fingertips but is not meant to keep for her
This weekend October 21-23, Opera Chapman will perform selections from two of Kurt Weill’s masterworks at Musco Center for the Arts. The show consists of a compilation of arias and duets from Rise and Fall of the City of Mahagonny (Aufstieg und Fall der Stadt Mahagonny) and Street Scene, two of Weill’s masterpieces, performed in the
This week, the Department of Theatre opens with two repertory productions focused on timely issues that are found in today’s headlines and faced by today’s youth. Good Kids by Naomi Iizuka, directed by James Gardner, and Dog Sees God: Confessions of a Teenage Blockhead by Bert V. Royal, directed by Nanci Ruby, begin an alternating schedule October 11 through