Some of the Escalette Collection’s most fantastic pieces belong to the medium of screenprinting, and while that might ring a bell for some, to others the process is a total mystery. As the infant of the printmaking family, it only became a technique used in fine art during the mid-1930s, unlike to other printmaking methods
With Black History Month upon us, many talented artists of color come to mind, including L.A. based artist Mark Bradford. We are fortunate to have a few Mark Bradford lithographs in the Escalette Collection that give us a glimpse into Bradford’s large body of work. Despite the often political angle to his art, Bradford’s work
Upon browsing the Escalette Collection, one might begin to notice a strange trend in media: lithography. Everybody’s doing it; from Ann Hamilton to Roy Lichtenstein, the medium seems to be a favorite. But what exactly is a lithograph? And how on earth do you make one? Let’s take a look! Lithography, a fairly young medium in
Nicolas Shake is no stranger to Chapman University. In fact, he was an assistant professor at Chapman University from 2011-2013. Shake is primarily an artist, whose work encompasses a wide array of mediums, including paintings, collage, photography, installation art, site specific art, and sculpture. Shake was raised in Palmdale, California and lives and works in Los
Coffee roasting inside Beckman Hall, The Piazza’s quiet, calm, serene, While all inside, the artwork comes alive, Forming a very festive team! Everybody knows Wayne White will “freak” and have some fun, Even John Paul Jones is looking bright. Tiny horses by Schulnik will all run, And beads will shimmer in White on White!
Function In recognition of Christmas, we’re posting a selection of Russian icons from our collection. Icons play an important role in the Orthodox Christian faith, serving as manifestation of the divine world in our human one. Icons are displayed in both churches and private homes, and are even made in miniature forms for travel. While
Hanukkah begins tonight, and we are recognizing these next eight days and nights with works from a series by Michael Hafftka. As the son of two Jewish Holocaust survivors, Hafftka’s art reflects his resulting experiences and feelings. His work is centered on explorations of his faith and relationship with God, while also dealing with human
Victor Hugo Zayas’ paintings are, what I like to call, ‘samatva’. ‘Samatva’ in Sanskrit means in balance. This concept is ever more prominent in Zayas’ painting Illuvia. With dark tones and thick brushstrokes, Illuvia is a balance of observation and abstraction. Zayas paints the cityscape as it is, but also distorts the fixtures by changing the tone, color,
With Ann Hamilton’s Warp & Weft II, mundane materials (paper, ink) and mundane subject matter (a textile, drawn thin) expand in the imagination to the level of the sublime. Philip Pedersen (Senior, Screen Acting/English) and Jacob Walker (Senior, Screenwriting/Television) were drawn in by the painterly lithograph’s subtle pull, and attempted to find adequate metaphors to
Baldessari’s Discontent? II Like Rebecca Malkin, Junior Communication Studies major Raphaelle Canaan also sees discontent in Baldessari’s Accordionist (With Crowd) of 1994. However, in her reading that discontent is counteracted by the accordionist’s autonomy, leading her to argue that the work ultimately has a positive message. Faces in a Crowd Baldessari’s Accordionist (With Crowd) shows